100 Australian Poems You Need to Know: Difference between revisions

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* “The Mystery Man”, N. Q.

* “The Mystery Man”, N. Q.

* “Emus”, [[Mary Eliza Fullerton|Mary E. Fullerton]]

* “Emus”, [[Mary Eliza Fullerton|Mary E. Fullerton]]

* “The Death of Ben Hall”, [[Will H. Ogilvie]]

* “The Death of Ben Hall”, [[Will H. Ogilvie]]

* “The Coachman’s Yarn”, [[E. J. Brady]]

* “The Coachman’s Yarn”, [[E. J. Brady]]

* “[[wikisource: The Forest of Night: 1898-1902: The Quest of Silence: 54|Fire in the Heavens]]”, [[Christopher Brennan]]

* “[[wikisource: The Forest of Night: 1898-1902: The Quest of Silence: 54|Fire in the Heavens]]”, [[Christopher Brennan]]


Latest revision as of 01:09, 19 November 2025

2008 Australian poetry anthology

100 Australian Poems You Need to Know
Author Jamie Grant (editor)
Language English
Genre Poetry anthology
Publisher Hardie Grant Books

Publication date

2008
Publication place Australia
Media type Print
Pages 247 pp.
ISBN 9781740666206

100 Australian Poems You Need to Know is an anthology of poems edited by Australian writer Jamie Grant, published by Hardie Grant Books in 2008.[1]

The collection contains 100 Australian poems from a variety of sources.[2] Also included are a Foreword by Phillip Adams and an introduction by the editor.

The poems are split into nine different sections with individual poems arranged by ascending year of the poet’s birth (where this is known).

Convict and Stockrider

The Red Page

Gundagai to Ironbark

Bastard and Bushranger

Drought, Dusk and War

Country Story

Melbourne and Sydney

Beyond Sprawl

The Generation of XYZ

Reviewing the anthology for The Australian newspaper Jaya Savage saw the good aspects of the book: “If an historical anthology such as this is like a used car, the paint job on 100 Australian Poems is slick. Under the bonnet, the engine is in good nick, the poems are sturdy, the pistons greased, the spark plugs firing; Australian poetry can hold its head high among English-speaking traditions, and Grant is to be commended for his toil.” Although that was followed by: “Sadly, however, the vehicle’s chassis, the book’s critical framework, shows serious signs of rust damage. The giveaway is Grant’s unashamed reversion to a nationalistic discourse, which gives the book a sepia effect.”[3]

In his introduction editor Jamie Grant gave an explanation for his choices: “The selection made represents the opinion of one person only, with all the prejudices, accidental omissions and blind spots one individual must be prone to, and the individual is me. There has been no attempt to be fair or comprehensive or respectable or historically representative. Instead, I have simply chosen a hundred Australian poems I, as a reader, have been unable to forget.”[4]

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