Count On Me (Whitney Houston and CeCe Winans song): Difference between revisions

 

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Not too long after the duet was released in March 1996, the song entered the [[Billboard Hot 100|”Billboard” Hot 100]] on the issue dated March 23, 1996 at number 32, becoming the second biggest debut of that week after [[the Beatles]]’ “[[Real Love (The Beatles song)|Real Love]]”.<ref>{{cite magazine |magazine=[[Billboard (magazine)|Billboard]] |url=https://www.billboard.com/charts/hot-100/1996-03-23/ |title=Billboard Hot 100 (week of March 23, 1996) |date=March 23, 1996 |access-date=November 10, 2025}}</ref> Five weeks later, it entered the top ten of the chart for the issue dated April 20, 1996.<ref>{{cite magazine |magazine=[[Billboard (magazine)|Billboard]] |url=https://archive.ph/VKDKm |title=Billboard Hot 100 (week of April 20, 1996) |date=April 20, 1996 |access-date=November 10, 2025}}</ref> Just three weeks later, the song reached its peak of number eight on the chart for the issue dated May 4, 1996.<ref>{{cite magazine |magazine=[[Billboard (magazine)|Billboard]] |url=https://archive.ph/g1jm7 |title=Billboard Hot 100 (week of May 4, 1996) |date=May 4, 1996 |access-date=November 10, 2025}}</ref> It would spend [[List of Billboard Hot 100 top-ten singles in 1996|seven weeks inside the top ten of the chart]]. It would spend a cumulative total of 20 weeks on the chart.

Not too long after the duet was released in March 1996, the song entered the [[Billboard Hot 100|”Billboard” Hot 100]] on the issue dated March 23, 1996 at number 32, becoming the second biggest debut of that week after [[the Beatles]]’ “[[Real Love (The Beatles song)|Real Love]]”.<ref>{{cite magazine |magazine=[[Billboard (magazine)|Billboard]] |url=https://www.billboard.com/charts/hot-100/1996-03-23/ |title=Billboard Hot 100 (week of March 23, 1996) |date=March 23, 1996 |access-date=November 10, 2025}}</ref> Five weeks later, it entered the top ten of the chart for the issue dated April 20, 1996.<ref>{{cite magazine |magazine=[[Billboard (magazine)|Billboard]] |url=https://archive.ph/VKDKm |title=Billboard Hot 100 (week of April 20, 1996) |date=April 20, 1996 |access-date=November 10, 2025}}</ref> Just three weeks later, the song reached its peak of number eight on the chart for the issue dated May 4, 1996.<ref>{{cite magazine |magazine=[[Billboard (magazine)|Billboard]] |url=https://archive.ph/g1jm7 |title=Billboard Hot 100 (week of May 4, 1996) |date=May 4, 1996 |access-date=November 10, 2025}}</ref> It would spend [[List of Billboard Hot 100 top-ten singles in 1996|seven weeks inside the top ten of the chart]]. It would spend a cumulative total of 20 weeks on the chart.

On the same week of March 23, 1996, the duet entered the [[Hot R&B/Hip-Hop Songs|Hot R&B Singles]] chart at number 11, becoming the “Hot Shot Debut” of the week.<ref>{{cite magazine |magazine=[[Billboard (magazine)|Billboard]] |url=https://books.google.com/books?id=iQ8EAAAAMBAJ&printsec=frontcover#v=onepage&q&f=false |title=Hot R&B Singles (week of March 23, 1996) |date=March 23, 1996 |page=27 |access-date=November 10, 2025}}</ref> It entered the top ten of the chart for the week ending March 30, 1996.<ref>{{cite magazine |magazine=[[Billboard (magazine)|Billboard]] |url=https://archive.ph/ZoqX0 |title=Hot R&B Singles (week of March 30, 1996) |date=March 30, 1996 |access-date=November 10, 2025}}</ref> Five weeks later, it made its peak at number 7 for the issue also dated May 4, 1996.<ref>{{cite magazine |magazine=[[Billboard (magazine)|Billboard]] |url=https://books.google.com/books?id=9gsEAAAAMBAJ&printsec=frontcover#v=onepage&q&f=false |title=Hot R&B Singles (week of May 4, 1996) |date=May 4, 1996 |page=27 |access-date=November 10, 2025}}</ref>

On the same week of March 23, 1996, the duet entered the [[Hot R&B/Hip-Hop Songs|Hot R&B Singles]] chart at number 11, becoming the “Hot Shot Debut” of the week.<ref>{{cite magazine |magazine=[[Billboard (magazine)|Billboard]] |url=https://books.google.com/books?id=iQ8EAAAAMBAJ&printsec=frontcover#v=onepage&q&f=false |title=Hot R&B Singles (week of March 23, 1996) |date=March 23, 1996 |page=27 |access-date=November 10, 2025}}</ref> It entered the top ten of the chart for the week ending March 30, 1996.<ref>{{cite magazine |magazine=[[Billboard (magazine)|Billboard]] |url=https://archive.ph/ZoqX0 |title=Hot R&B Singles (week of March 30, 1996) |date=March 30, 1996 |access-date=November 10, 2025}}</ref> Five weeks later, it made its peak at number 7 for the issue also dated May 4, 1996.<ref>{{cite magazine |magazine=[[Billboard (magazine)|Billboard]] |url=https://books.google.com/books?id=9gsEAAAAMBAJ&printsec=frontcover#v=onepage&q&f=false |title=Hot R&B Singles (week of May 4, 1996) |date=May 4, 1996 |page=27 |access-date=November 10, 2025}}</ref>

==Music video==

==Music video==

1996 single by Whitney Houston and CeCe Winans

“Count on Me” is a duet recorded by American singers and best friends Whitney Houston and CeCe Winans. It was written by Houston, Babyface and Houston’s brother Michael with its production helmed by Babyface. Released in March 1996, the song was the fourth single from the soundtrack album of the motion picture Waiting to Exhale, and the second single by Houston released from that album and its soundtrack.

It is an uplifting song about leaning on a friend for support when needed. Upon its release, it became an immediate hit peaking inside the top ten of the Billboard Hot 100, becoming the fourth and final single from the soundtrack to reach the top ten. It was also successful on other Billboard charts, peaking in the top ten of the Hot R&B Singles and Hot Adult Contemporary charts and peaking at number one on the Adult R&B Songs chart.

Outside the United States, it was a moderate success, peaking in the top 40 in Canada, Austria, the Netherlands, Switzerland, Iceland and New Zealand while having its biggest international peak in the United Kingdom where it peaked inside the top 20 at number 12.

The ballad won two Grammy Award nominations, including Best Song Written for Visual Media, as well as two songwriting awards from ASCAP in its pop song and film awards as well as a BMI Award. It was Winans’ only crossover hit single outside her gospel genre and Houston’s first top ten duet of her career. The song has since been certified certified platinum in the US.

Houston first met CeCe Winans and her brother BeBe Winans in 1987 at the NAACP Image Awards where BeBe & CeCe Winans attended and performed.^[2][3] Houston later showed up for a concert the siblings held in Los Angeles that same night and joined them onstage, marking the first of such occasions whenever Houston was an attendant.^[3] The trio became fast friends upon meeting and Houston and CeCe in particular saw each other as “sisters”.^[2] Winans later recalled that the two related to each other well due to shared strong religious faith.^[2] Winans later told People magazine that Winans was convinced Houston, who was the daughter of gospel singer Cissy Houston and had grown up singing in a Baptist church, “was a gospel singer” herself.^[2]

In 1988, Houston contributed vocals on what was considered the duo’s breakthrough album, Heaven, including the duo’s first R&B chart hit, “Celebrate New Life”, which reached number 25 on the chart in 1989 and in which Houston was prominently featured in the music video. The success of the track later won the trio a 1990 Stellar Award.^[4] Houston and the sibling duo also performed the song “Hold Up the Light”, their second song together on the album, on television in a couple of occasions such as the NAACP Image Awards and The Arsenio Hall Show.

Houston continued to contribute vocals on the duo’s subsequent follow-up albums, including Different Lifestyles (1991). In 1995, Houston began filming on her second feature film, Waiting to Exhale, which focused on the lives of four successful upper middle class African American women who were also best friends. Though she initially refused to record music for the album following the huge global success of the soundtrack of her debut film, The Bodyguard, Houston was eventually convinced by the soundtrack’s main producer Babyface to contribute a few songs.

As executive producer of the album, Houston hired several established black female contemporary artists to perform on the album, including Brandy, Mary J. Blige, Toni Braxton, Aretha Franklin and Chaka Khan among others. Houston and Babyface agreed to compose a song titled “Count On Me” for the soundtrack and decided the song would be better as a duet between Houston and Winans after the duo performed the Aretha Franklin-arranged version of “Bridge Over Troubled Water” at the VH1 Honors in June 1995.

The song’s subject about friendship was connected to the film as well as the real-life bond between Houston and Winans. Houston’s elder brother, Michael, became a third collaborator after suggesting a lyric change. The duet would be Winans’ first recording away from her work with her brother BeBe as the singer was working on her solo debut album that year, Alone in His Presence.

AllMusic editor Craig Lytle wrote, “She (Whitney) teams with Cece Winans on the inspirational duet “Count on Me”, and both accomplished singers raise all hopes with their comforting vocals.”^[5] A reviewer from Billboard deemed the song “torchy”.^[6] The magazine’s Larry Flick commented, “The touch of superstar producer Babyface is, as always, unmistakable, and he excels with this song’s lush string arrangement. Vocally, Houston dominates the track, though Winans makes a strong-enough impression that those who have yet to hear her fine recordings will yearn to hear more. A buddy song for the diva generation that is destined to saturate pop radio airwaves into the spring.”^[7]

Gil L. Robertson IV from Cash Box picked it as a “standout track” of the soundtrack album.^[8] Chicago Tribune editor Greg Kot felt that Winans’s is one of the few voices on the album that sounds enraptured.^[9] British magazine Music Week rated it four out of five, adding, “a slightly lethargic ballad from the Waiting To Exhale soundtrack but, since everything Houston touches turns to gold, put your money on this reaching the Top 10.”^[10] Gary Darling from The Orlando Sentinel commented that “with its swelling choruses and shouted pledges of friendship”, the song “is infused with We Are the World earnestness and overkill, but the performances save it from being too treacly”.^[11]

Not too long after the duet was released in March 1996, the song entered the Billboard Hot 100 on the issue dated March 23, 1996 at number 32, becoming the second biggest debut of that week after the Beatles‘ “Real Love“.^[12] Five weeks later, it entered the top ten of the chart for the issue dated April 20, 1996.^[13] Just three weeks later, the song reached its peak of number eight on the chart for the issue dated May 4, 1996.^[14] It would spend seven weeks inside the top ten of the chart. It would spend a cumulative total of 20 weeks on the chart.

On the same week of March 23, 1996, the duet entered the Hot R&B Singles chart at number 11, becoming the “Hot Shot Debut” of the week.^[15] It entered the top ten of the chart for the week ending March 30, 1996.^[16] Five weeks later, it made its peak at number 7 for the issue also dated May 4, 1996.^[17] It would spend eight weeks inside the top ten on that chart and spends a cumulative total of 20 weeks on the chart.

The accompanying music video for the song features Houston and Winans giving a concert performance at Webster Hall in Manhattan, while clips of the Waiting to Exhale feature film are sporadically mixed in.^[18]

The “Count on Me” music video peaked at number one on music channels BET, MTV, and VH1. It was the second music video Wayne Isham directed for Houston, having previously directed the singer on her music video for her 1987 hit, “So Emotional“.

On a Valentine’s Day episode of Sister, Sister, the three principal actors: Tia Mowry, Tamera Mowry and Marques Houston, sing the song at a karaoke bar. They sing the first two verses and the chorus.

From “Count on Me” CD single liner notes.^[24]