! Notes
! Notes
|-
|-
|rowspan=2|2009
|rowspan=2|2009
|”[[Mississippi Damned]]”
|”[[Mississippi Damned]]”
|[[Tina Mabry]]
|[[Tina Mabry]]
|
|
|-
|-
|”[[Entre nos]]”
|”[[Entre nos]]”
|Gloria La Morte<br>[[Paola Mendoza]]
|Gloria La Morte<br>[[Paola Mendoza]]
|
|
|-
|-
|rowspan=2|2011
|rowspan=2|2011
|”[[Pariah (2011 film)|Pariah]]”
|”[[Pariah (2011 film)|Pariah]]”
|[[Dee Rees]]
|[[Dee Rees]]
|Excellence in Cinematography Award: Dramatic, [[Sundance Film Festival]]
|Excellence in Cinematography Award: Dramatic, [[Sundance Film Festival]]
|-
|-
|”[[Restless City]]”
|”[[Restless City]]”
|[[Andrew Dosunmu]]
|[[Andrew Dosunmu]]
|
|
|-
|-
|2012
|2012
|”[[Middle of Nowhere (2012 film)|Middle of Nowhere]]”
|”[[Middle of Nowhere (2012 film)|Middle of Nowhere]]”
|[[Ava DuVernay]]
|[[Ava DuVernay]]
|
|
|-
|-
|rowspan=3|2013
|rowspan=3|2013
|”[[Ain’t Them Bodies Saints]]”
|”[[Ain’t Them Bodies Saints]]”
|[[David Lowery (director)|David Lowery]]
|[[David Lowery (director)|David Lowery]]
|Cinematography Award: U.S. Dramatic, [[Sundance Film Festival]]
|Cinematography Award: U.S. Dramatic, [[Sundance Film Festival]]
|-
|-
|”[[Mother of George]]”
|”[[Mother of George]]”
|Andrew Dosunmu
|Andrew Dosunmu
|Cinematography Award: U.S. Dramatic, [[Sundance Film Festival]]
|Cinematography Award: U.S. Dramatic, [[Sundance Film Festival]]
|-
|-
|”[[Vara: A Blessing]]”
|”[[Vara: A Blessing]]”
|[[Khyentse Norbu]]
|[[Khyentse Norbu]]
|
|
|-
|-
|rowspan=3|2014
|rowspan=3|2014
|”[[Selma (film)|Selma]]”
|”[[Selma (film)|Selma]]”
|Ava DuVernay
|Ava DuVernay
|Nominated – [[Independent Spirit Award for Best Cinematography]]
|Nominated – [[Independent Spirit Award for Best Cinematography]]
|-
|-
|”[[A Most Violent Year]]”
|”[[A Most Violent Year]]”
|[[J. C. Chandor]]
|[[J. C. Chandor]]
|
|
|-
|-
|”[[Pawn Sacrifice]]”
|”[[Pawn Sacrifice]]”
|[[Edward Zwick]]
|[[Edward Zwick]]
|
|
|-
|-
|2015
|2015
|”[[Everything is Copy]]”
|”[[Everything is Copy]]”
|Jacob Bernstein<br>Nick Hooker
|Jacob Bernstein<br>Nick Hooker
|
|
|-
|-
|rowspan=2|2016
|rowspan=2|2016
|”[[I Called Him Morgan]]”
|”[[I Called Him Morgan]]”
|[[Kasper Collin]]
|[[Kasper Collin]]
|
|
|-
|-
|”[[Arrival (film)|Arrival]]”
|”[[Arrival (film)|Arrival]]”
|[[Denis Villeneuve]]
|[[Denis Villeneuve]]
|Nominated – [[Academy Award for Best Cinematography]]<br>Nominated – [[BAFTA Award for Best Cinematography]]<br>Nominated – [[American Society of Cinematographers Award for Outstanding Achievement in Cinematography in Theatrical Releases|ASC Award for Outstanding Cinematography]]<br>Nominated – [[Critics’ Choice Movie Award for Best Cinematography]]<br>Nominated – [[Florida Film Critics Circle Award for Best Cinematography]]<br>Nominated – [[Houston Film Critics Society Award for Best Cinematography]]<br>Nominated – [[Online Film Critics Society Award for Best Cinematography]]<br>Nominated – [[San Diego Film Critics Society Award for Best Cinematography]]<br>Nominated – San Francisco Film Critics Circle Award for Best Cinematography<br>Nominated – [[St. Louis Gateway Film Critics Association Award for Best Cinematography|St. Louis Gateway Film Critics Award for Best Cinematography]]<br>Nominated – [[Washington D.C. Area Film Critics Association Award for Best Cinematography|Washington D.C. Area Film Critics Award for Best Cinematography]]
|Nominated – [[Academy Award for Best Cinematography]]<br>Nominated – [[BAFTA Award for Best Cinematography]]<br>Nominated – [[American Society of Cinematographers Award for Outstanding Achievement in Cinematography in Theatrical Releases|ASC Award for Outstanding Cinematography]]<br>Nominated – [[Critics’ Choice Movie Award for Best Cinematography]]<br>Nominated – [[Florida Film Critics Circle Award for Best Cinematography]]<br>Nominated – [[Houston Film Critics Society Award for Best Cinematography]]<br>Nominated – [[Online Film Critics Society Award for Best Cinematography]]<br>Nominated – [[San Diego Film Critics Society Award for Best Cinematography]]<br>Nominated – San Francisco Film Critics Circle Award for Best Cinematography<br>Nominated – [[St. Louis Gateway Film Critics Association Award for Best Cinematography|St. Louis Gateway Film Critics Award for Best Cinematography]]<br>Nominated – [[Washington D.C. Area Film Critics Association Award for Best Cinematography|Washington D.C. Area Film Critics Award for Best Cinematography]]
|-
|-
|2017
|2017
|”[[Where Is Kyra?]]”
|”[[Where Is Kyra?]]”
|Andrew Dosunmu
|Andrew Dosunmu
|
|
|-
|-
|2018
|2018
|”[[Solo: A Star Wars Story]]”
|”[[Solo: A Star Wars Story]]”
|[[Ron Howard]]
|[[Ron Howard]]
|
|
|-
|-
|2024
|2024
|”[[2073 (film)|2073]]”
|”[[2073 (film)|2073]]”
|[[Asif Kapadia]]
|[[Asif Kapadia]]
|
|
|-
|-
|2025
|2025
|”[[BLKNWS: Terms & Conditions]]”
|”[[BLKNWS: Terms & Conditions]]”
|[[Kahlil Joseph]]
|[[Kahlil Joseph]]
|
|
|-
|-
|2027
|2027
|”[[The Thomas Crown Affair (2027 film)|The Thomas Crown Affair]]”
|”[[The Thomas Crown Affair (2027 film)|The Thomas Crown Affair]]”
|[[Michael B. Jordan]]
|[[Michael B. Jordan]]
| Post-production
|Filming
|}
|}
! Notes
! Notes
|-
|-
|2019
|2019
|”[[When They See Us]]”
|”[[When They See Us]]”
|[[Ava DuVernay]]
|[[Ava DuVernay]]
|Nominated – [[Primetime Emmy Award for Outstanding Cinematography for a Limited Series or Movie|Primetime Emmy Award for Outstanding Cinematography]]
|Nominated – [[Primetime Emmy Award for Outstanding Cinematography for a Limited Series or Movie|Primetime Emmy Award for Outstanding Cinematography]]
|}
|}
American cinematographer
Bradford Marcel Young, A.S.C (born July 6, 1977) is an American cinematographer. He is best known for his work on the films Selma, A Most Violent Year (both 2014), Arrival (2016)—which earned him a nomination for an Academy Award for Best Cinematography—and Solo: A Star Wars Story (2018), as well as the Netflix miniseries When They See Us (2019).
Early life and background
[edit]
Young spent his early years in Louisville, Kentucky,[3] where he attended The Brown School and Central High School.[4] He moved to Chicago at age 15 to live with his father.[5] He received early artistic inspiration by the works of Romare Bearden, Jacob Lawrence, and Aaron Douglas. Although he intended to study writing, he studied film at Howard University, where he was influenced by Haile Gerima.[2][6][7] His first film project at Howard was a group project, a black and white silent film shot on a Canon Super 8. Working on set with filmmaking colleagues at Howard was his introduction to film. Prior to moving to Washington, D.C. for college, Young says “the only reason I cared about movies was how most people cared about movies. I liked watching them.” As a youth, he went to the theater to see Spike Lee films with his family.[8]
Young’s early feature film credits as cinematographer include Mississippi Damned (2009), Pariah (2011), Restless City (2011), Middle of Nowhere (2012), Ain’t Them Bodies Saints (2013), and Mother of George (2013).[2][5][9] He has won the Cinematography Award at the Sundance Film Festival twice. In 2011, he won for his work on Pariah.[5] Two years later, he won for his work on both Mother of George and Ain’t Them Bodies Saints.[9] He was the cinematographer for Selma (2014), which won the BET Award for Best Movie in 2015. That same year, Young was inducted into the American Society of Cinematographers (ASC).[10]
In January 2017, Young became the first African-American cinematographer to be nominated for an Academy Award, for his work on Arrival.[11] His work on Arrival also earned him a Silver Frog award from Camerimage and nominations for BAFTA and American Society of Cinematographers awards.[12]
Young was the cinematographer for Solo: A Star Wars Story (2018), about space smuggler Han Solo.[13]
In 2019, Young re-teamed with director Ava DuVernay on the Netflix drama miniseries When They See Us, based on the 1989 Central Park jogger case, which earned critical acclaim.[14][15][16][17][18][19][20][21][22][23]
In addition to his feature film work, Young has collaborated with directors Kathryn Bigelow, Derek Cianfrance, Todd Haynes, Spike Jonze, and Steve McQueen on numerous short films and commercials.[24] He has filmed music videos for artists Beck, Common, Kamasi Washington, MGMT, and Norah Jones. Young has also collaborated with artists Elissa Blount Moorhead and Leslie Hewitt on video installations that have been displayed in fine art museums around the world.[25][26]
Young is married to Stephanie Etienne, who received special thanks in A Most Violent Year.[27] They currently reside in Baltimore, Maryland with their two sons.[3]
Young prefers shooting with available light. For example, in Pariah, for a nighttime bedroom scene, he shot using only Christmas lights and an IKEA lamp with a red lampshade.[6] Amanda Petrusich in her 2012 article on Young for The New York Times states that he “favors raw light and has a penchant for shooting into it, but said he ultimately focuses on getting out of the way.”[5]
In a 2013 article from The Washington Post about cinematographers who were trained at Howard University, Hans Charles, a frequent camera assistant for Young said that he has developed a versatile but also consistently poetic, oblique visual style.[7]
In a 2017 article from the Courier Journal, Young is quoted as acknowledging older black cinematographers such as Ernest Dickerson (Malcolm X), Arthur Jafa (Daughters of the Dust) and Malik Sayeed (Clockers) as artists who lay a foundation for black cinematographers like himself. He told the Courier Journal that he was “trying to find that balance between making sure I am present but also being that voice in the wilderness that says ‘there has been great work by African-American cinematographers and it’s a shame those people who came before me and who have been my teachers were not nominated for awards.'”[3]
He also cited his childhood memory as a key source of inspiration: “Early on, when I came upon a technical difficulty (making a film), I would think back to my memories of growing up in Louisville and what the lighting was like in those moments. I still do that to this day. I think about my grandmother’s house on Greenwood Avenue and scenes during her wonderful parties. Or I envision the light in my Aunt Marie’s kitchen. When I am stuck on a technical issue making a film, I access those memories and I know I am doing the right thing.”[3] Young has spoken about his affinity for nonlinear storytelling and switching between overhead and handheld camera shots.[8][28]
Film
Television
Awards and recognition
[edit]
- ^ a b c “Kentucky, Birth Index, 1911-1999 [database on-line]”. Ancestry.com. 2006. Retrieved August 31, 2013.
- ^ a b c d e “Director of Photography”. The Western Front. Archived from the original on August 31, 2013.
- ^ a b c d Adams, Kirby (February 22, 2017). “Oscar-nominated Bradford Young: ‘I am Louisville, Kentucky’“. The Courier-Journal. Retrieved February 22, 2017.
- ^ a b Adams, Kirby (January 24, 2017). “Louisville native Bradford Young gets Oscar nom”. The Courier-Journal. Retrieved February 22, 2017.
- ^ a b c d e Petrusich, Amanda (May 16, 2012). “He’s Just a ‘Custodian of the Moment’: Bradford Young, Cinematographer for ‘Middle of Nowhere’“. The New York Times. New York. Retrieved August 31, 2013.
Mr. Young has gathered considerable accolades from the indie community (as well as beyond it), but he continues to tussle personally with the insularity of the scene.
- ^ a b Lindeman, Leslie (December 14, 2011). “Contender – Cinematographer Bradford Young, Pariah”. Below The Line. Archived from the original on October 22, 2014. Retrieved August 31, 2013.
- ^ a b Hornaday, Ann (January 28, 2013). “Howard University has become incubator for cinematographers”. The Washington Post. Washington, DC. Retrieved August 31, 2013.
For his part, Young credits another film professor, Daniel Williams, and especially Gerima as the spiritual godfather of what may be, by now, fairly codified as a bona fide successor to the L.A. Rebellion — the Howard Continuum.
- ^ a b “‘Selma’ cinematographer Bradford Young accidentally fell into filmmaking, and fell in love with it”. The Verge. Retrieved February 22, 2017.
- ^ a b c “Sundance Festival Award Winners”. Sundance Film Festival. Archived from the original on August 17, 2012. Retrieved August 31, 2013.
- ^ “Young Joins ASC – ASC News”. Theasc.com. August 13, 2015. Archived from the original on August 16, 2016. Retrieved January 24, 2017.
- ^ Merry, Stephanie (January 24, 2017). “Oscar nominations 2017: Complete list of nominees; ‘La La Land’s’ 14 ties all-time record”. The Washington Post. Retrieved January 24, 2017.
- ^ “Oscars: ‘Arrival’s’ Bradford Young Gets Cinematography Nomination”. The Hollywood Reporter. Retrieved February 22, 2017.
- ^ Raup, Jordan (September 22, 2016). “Emmanuel Lubezki Reteams With Alfonso Cuarón; Bradford Young to Shoot Han Solo Film”. The Film Stage.
- ^ McCabe, Bret (March 21, 2019). “Oscar-nominated cinematographer visits Johns Hopkins film program”. Johns Hopkins University Hub. Retrieved July 16, 2019.
- ^ Darrisaw, Michelle (May 14, 2019). “Ava DuVernay’s “When They See Us” Looks at the Central Park Five—Here’s What to Know”. The Oprah Magazine. Retrieved July 16, 2019.
- ^ D’Addario, Daniel (May 21, 2019). “TV Review: Ava DuVernay’s ‘When They See Us’“. Variety. Retrieved July 16, 2019.
- ^ Henderson, Odie (May 30, 2019). “When They See Us Review”. Roger Ebert. Retrieved July 16, 2019.
- ^ Fienberg, Daniel (May 31, 2019). “‘When They See Us’: TV Review”. The Hollywood Reporter. Retrieved July 16, 2019.
- ^ Goldberg, Matt (May 31, 2019). “‘When They See Us’ Review: Ava DuVernay’s Magnum Opus of a Broken America”. Collider. Retrieved July 16, 2019.
- ^ Mangan, Lucy (May 31, 2019). “When They See Us review – Netflix’s gut-wrenching tale of the Central Park Five”. The Guardian. Retrieved July 16, 2019.
- ^ Chaney, Jen (May 30, 2019). “When They See Us Is an Intimate, Sensitive Look at the Central Park Five Tragedy”. Vulture. Retrieved July 16, 2019.
- ^ Paskin, Willa (May 30, 2019). “When They See Us Is a New Kind of Must-See TV”. Slate. Retrieved July 16, 2019.
- ^ Lloyd, Robert (May 30, 2019). “Review: Ava DuVernay’s ‘When They See Us’ gets to the human heart of the Central Park Five”. Los Angeles Times. Retrieved July 16, 2019.
- ^ “Brandford Young, ASC – Lux Artists”. Lux Artists (website).
- ^ “‘Arrival’ Cinematographer Bradford Young Dives Into Fine Arts With ‘Back and Song’“. The Hollywood Reporter.
- ^ “Exhibitions: MCA Screens: Leslie Hewitt in Collaboration with Bradford Young”. May 17, 2014.
- ^ “Stephanie Etienne”. IMDb. Retrieved February 22, 2017.
- ^ Desowitz, Bill (11 November 2016). “How ‘Arrival’ Cinematographer Bradford Young Makes Sci-Fi Poetic | IndieWire”. www.indiewire.com. Retrieved February 22, 2017.
