Brian Hannan: Difference between revisions

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{{short description|Australian actor}}

{{short description|Australian actor}}

{{Use dmy dates|date=January 2025}}

{{Use dmy dates|date=January 2025}}

{{Use Australian English|date=January 2025}}

{{Use Australian English|date=January 2025}}

| name = Brian Hannan

| image =

| caption =

| birth_name =

| birth_date = 1942 August 19

| birth_place = Stirling, Scotland

| occupation = Retired Actor

| years_active = 1960-2006

| notable_works = Bellbird, Prisoner Cell Block H

| partner = Susan Hannan (nee Hathaway)

Renalda Whitteridge ( nee Green)

| children = 2

}}

{{Infobox person

{{Infobox person

| name = Brian Hannan

| name = Brian Hannan


Latest revision as of 10:11, 21 September 2025

Australian actor

Brian Hannan

Born 1942 August 19

Stirling, Scotland

Occupation Retired Actor
Years active 1960-2006
Notable work Bellbird, Prisoner Cell Block H
Partner Susan Hannan (nee Hathaway)
Renalda Whitteridge ( nee Green)
Children 2

Brian Hannan

Born

Australia

Occupation Actor
Years active 1960 to 1980

Brian Hannan is a retired Australian actor, born in Stirling, Scotland.

Born to Barry Hannan and Myna Hannan (nee Mills). When Brian was nine, his family migrated to Australia on the Ten Pound Pom deal or the Assisted Passage Migration Scheme initiated by the Australian government under the Populate or Perish policy. They arrived in Western Australia and lived in Perth. When Brian was eighteen, he moved to Melbourne to pursue his acting career.

Brian began what would be a long and successful acting career at a young age on stage in school productions . As an adult he performed in theatre productions in Western Australia before moving to Melbourne. Stage shows include The No Hopers (1961).[1][2] The Bones of My Toe (1963)[3][4] and Bread and Butter (1970).[5][6]

He appeared in filmed for TV plays such as The Sweet Sad Story of Elmo and Me in 1965.[7][8] and Man of Destiny in 1967.[9]

Hannan appeared in stage musicals with the J. C. Williamson Theatres in the 1960s,[10] including Camelot (1963)[11] Hello, Dolly! (1965)[12][13][14] The Boys from Syracuse (1966)[15][16] The Fantasticks (1966)[17][18] and Half a Sixpence (1967).[19][20]

On screen he has played a main role on Bellbird as Roger Green,[21] and had a stint on Prisoner beginning 1981.[10] He starred in the comedy sketch series Don’t Ask Us.[22][23] He voice acted in animated films such as The Phantom Treehouse.[24]

  1. ^ The No-Hopers, AusStage
  2. ^ Bisset, Winifred (6 September 1961), ‘The No Hopers’, The Australian Women’s Weekly
  3. ^ The Bishop’s Candlestick / The Bones of My Toe / The Oak Settle, AusStage
  4. ^ Armstrong, Madeline (31 August 1963), “Unlucky Partners”, The Bulletin
  5. ^ Bread and Butter, AusStage
  6. ^ Hutton, Geoffrey (9 July 1970), “The X-ray on man”, The Age
  7. ^ The Sweet Sad Story of Elmo and Me, AusStage
  8. ^ Howard, John (30 July 1965), “Budding Pinter in our midst”, The Canberra Times
  9. ^ “Plays with themes of love and war”, The Canberra Times, 4 September 1967
  10. ^ a b Murphy, Jim (3 June 1981), “Brian knows his work inside out”, The Australian Women’s Weekly
  11. ^ Camelot, AusStage
  12. ^ Hello, Dolly!, AusStage
  13. ^ “Hello, Dolly!”, The Australian Women’s Weekly, 5 May 1965
  14. ^ Rolfe, Patricia (10 April 1965), “A Tasteless Confection”, The Bulletin
  15. ^ The Boys From Syracuse, AusStage
  16. ^ Costantino, Romola (7 February 1966), “Lively romp at the Royal”, The Sydney Morning Herald
  17. ^ The Fantasticks, AusStage
  18. ^ Rolfe, Patricia (17 September 1966), “Not our cup of tea”, The Bulletin
  19. ^ Half a Sixpence, AusStage
  20. ^ Hewitt, Hope (16 November 1967), “Good work Mr Kipps”, The Canberra Times
  21. ^ Musgrove, Nan (22 May 1974), “Some surprises in store for “Bellbird”, The Australian Women’s Weekly
  22. ^ Niell, Kristine (4 June 1979), “Comedy has some promise”, The Sydney Morning Herald
  23. ^ Marshall, Ian (21 November 1980), “Comedy has some promise”, The Age
  24. ^ Morris, Jill (8 January 1985), “Film animation not so easy”, The Age

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