Draft talk:Sherry Zannoth: Difference between revisions

Hello! I’m the original contributor to this draft article on Sherry Zannoth, an American operatic soprano with a significant performance and teaching history. I’ve included verified sources from major publications (New York Times, The Washington Post, etc.), regional opera company credits, and a detailed overview of her career and legacy.

Please feel free to provide any suggestions for improvement or flag any issues with notability or sourcing. I’d really appreciate a review from experienced editors to help move this toward publication.

Thank you! Shaynes77 (talk) 14:00, 25 November 2025 (UTC)[reply]

Thank you for the beginning! I have little but here are some brief comments, to be continued. Please make the changes, – I’ll watch. I expanded Jessye Norman, among others, – perhaps see if reading other bios gives you ideas.

• The opera companies (and everything else) should be linked already in the lead (introduction), and again the first time in the body.
• We don’t need to know that her school is now demolished.
• When you want to refer to a musical piece which has an article, such as Messiah, you don’t have to teach the composer’s first names nor link, but can just say: Handel’s Messiah. (There will be a link in the piece’s article, for those who want to know more about Handel at this point, but most will rather want to know about her.)
• I’d like more lead, eventually.

I’ll be back. Nice to meet you! — Gerda Arendt (talk) 15:32, 25 November 2025 (UTC)[reply]