List of 19th-century British periodicals: Difference between revisions

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* The [[London Figaro]]; (1870–1898). Literary and satirical magazine. Daily for the first 9 months, then weekly.

* The [[London Figaro]]; (1870–1898). Literary and satirical magazine. Daily for the first 9 months, then weekly.

* ”[[The Dark Blue]]” (1871–1873){{listref|g}}

* ”[[The Dark Blue]]” (1871–1873){{listref|g}}

* ”[[Little Folks]]; the magazine for boys and girls; a magazine for the young” (1871–1933). Weekly, then monthly.{{listref|a}}

* ”[[Little Folks]]; the magazine for boys and girls; a magazine for the young” (1871–1933). Weekly, then monthly.{{listref|a}}

* ”[[Our Young Folk’s Weekly Budget]]” (1871–1876, continues 1876–1879 as ”Young Folk’s Weekly Budget”, 1879–1884 as ”Young Folks”, 1884–1891 as ”Young Folks”, 1891–1896 as ”Old and Young”, 1896–1897 as ”Folks-at-Home”). Weekly.{{listref|a}}

* ”[[Our Young Folk’s Weekly Budget]]” (1871–1876, continues 1876–1879 as ”Young Folk’s Weekly Budget”, 1879–1884 as ”Young Folks”, 1884–1891 as ”Young Folks”, 1891–1896 as ”Old and Young”, 1896–1897 as ”Folks-at-Home”). Weekly.{{listref|a}}

* ”[[St. Nicholas (magazine)|St. Nicholas]]; Scribner’s illustrated magazine for girls and boys” (1872–). Monthly.{{listref|a}}

* ”[[St. Nicholas (magazine)|St. Nicholas]]; Scribner’s illustrated magazine for girls and boys” (1872–). Monthly.{{listref|a}}

This is a list of British periodicals established in the 19th century, excluding daily newspapers.

The periodical press flourished in the 19th century: the Waterloo Directory of English Newspapers and Periodicals plans to eventually list more 100,000 titles; the current Series 3 lists 73,000 titles. 19th-century periodicals have been the focus of extensive indexing efforts, such as that of the Wellesley Index to Victorian Periodicals, 1824–1900, Poole’s Index to Periodical Literature (now published electronically as part of 19th Century Masterfile), Science in the 19th-Century Periodical and Retrospective Index to Music Periodicals, 1800–1950. There are also a number of efforts to republish 19th-century periodicals online, including ProQuest‘s British Periodicals Collection I and Collection II, Gale‘s 19th Century UK Periodicals Online[1] and Nineteenth-Century Serials Edition (ncse).[2]

List by year of publication

[edit]

La Belle Assemblée, title page, Volume III, July to December 1807.
Blackwood’s Edinburgh Magazine, Vol. XXV, January–June 1829. William Blackwood, Edinburgh and T. Cadell, Strand, London
The Penny Magazine, Issue for 27 October 1832
Illustrated London News, first issue, front page
The Englishwoman’s Domestic Magazine, title page, September 1861
Cornhill Magazine, January 1862
The Boy’s Own Paper, front page, 11 April 1891
The Amateur Photographer, Vol. 1, No 1, 10 October 1884, front cover.
Bound volume of The Strand Magazine for January–June 1894
  3. Republished in ncse (19th-century serials edition)

  7. Indexed by Wellesley

  1. ^ “19th Century UK Periodicals, Part 1”. Gale. Retrieved 16 May 2017.
  2. ^ “Nineteenth-Century Serials Edition”. NCSE. Retrieved 16 May 2017.
  3. ^ Hayden, John O. (1969). The Romantic Reviewers, 1802–1824. Chicago: The University of Chicago Press. p. 53.
  4. ^ a b Hayden, John O. (1969). The Romantic Reviewers, 1802–1824. Chicago: The University of Chicago Press.
  5. ^ “The Musical World – MWO – (London, 1836–1891) : Complete Introduction”. Archived from the original on 4 August 2008. Retrieved 28 July 2008., The Musical World, 1888 at Google Books, and others.
  6. ^ “The Illustrated Weekly Times – Google Search”.
  7. ^ The Victorians and Sport, Mike Huggins, Bloomsbury Publishing.
  8. ^ Cawood, Ian; Upton, Chris (2016). Joseph Chamberlain: International Statesman, National Leader, Local Icon. Palgrave Macmillan. p. 201.
  9. ^ “Welsh Journals – Browse”. journals.library.wales. Retrieved 7 August 2025.
  10. ^ “Launched as a high-class… monthly, the advertisements stressed that it was printed on glossy ‘enamelled paper’. The magazine consisted almost entirely of large photographs of celebrities and this smooth, shiny surface would have yielded the best results.” (G. Beegan, The Mass Image: A Social History of Photomechanical Reproduction in Victorian London (London, 2008, p. 79).

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