List of paintings by John Everett Millais: Difference between revisions

This is a list of paintings by the Pre-Raphaelite artist John Everett Millais (1829–1896).^[1][2][3][4]

Youthworks

• (1841) Cupid Crowned with Flowers. Oil on canvas.
• (c. 1843) Emily Millais. Oil on canvas, 59.7 cm × 49.5 cm. Geoffroy Richard Everett Millais Collection.
• (1846) Pizarro Seizing the Inca of Peru. Oil on canvas, 128.3 cm × 172.1 cm. Victoria & Albert Museum, London, United Kingdom.
• (1847) Self Portrait. Oil on millboard, 27.3 cm × 22.2 cm.
• (c. 1847) The Artist Attending the Mourning of a Young Girl. Oil on board, 18.7 cm × 25.7 cm.
• (c. 1847) Old Age. Oil on canvas, 38.6 cm x 129.5 cm. Leeds Art Gallery, Leeds.

Pre-Raphaelite Brotherhood

• (1848) Cymon and Iphigenia. Oil on canvas, 114.3 cm × 147.3 cm. Lady Lever Art Gallery, Port Sunlight, Merseyside.
• (1848) Serjeant Ralph Thomas. Oil on wood, 40.7 cm x 30.3 cm. Tate Gallery, London.
• (1848) Portrait of Hugh Fenn or William Hugh Fenn or Portrait of W. Hugh Fenn. Oil on wood panel, 29.1 cm x 24.5 cm. Owens Art Gallery, Mount Allison University, Sackville, New Brunswick.
• (c. 1848) The Death of Romeo and Juliet. Oil on millboard, 26.9 cm x 16.1 cm. Manchester Art Gallery, Manchester.
• (1848–49) Isabella. Oil on canvas, 102.9 cm × 142.9 cm. Walker Art Gallery, Liverpool.
• (1849) Ferdinand Lured by Ariel. Oil on canvas, 14.6 cm x 10.9 cm. Sudley House, Liverpool.
• (1849) Portrait of a Gentleman and his Grandchild or James Wyatt and his Granddaughter, Mary Wyatt. Oil on panel. Andrew Lloyd Webber Collection.^[5]
• (1849) Portrait of Four Children of the Wyatt Family
• (1849–50) Christ in the House of His Parents or The Carpenter’s Shop. Oil on canvas, 86.4 cm × 139.7 cm. Tate Britain, London.
• (1850) Ferdinand Lured by Ariel. Oil on canvas, 65 cm × 51 cm; 64.8 cm diameter. Private collection.
• (1850) Portrait of Wilkie Collins. Oil on panel, 26.7 cm × 17.8 cm. National Portrait Gallery, London.
• (1850) Thomas Combe. Oil on panel, 33 cm x 27 cm. Ashmolean Museum, Oxford.
• (c. 1850) Mrs James Wyatt Jr and her Daughter Sarah. Oil on mahogany, 45.7 cm x 35.3 cm. Tate Gallery, London.
• (1850–51) The Woodman’s Daughter
• (1851) Mariana. Oil on mahogany panel, 59.7 cm × 49.5 cm. Tate Britain, London.
• (1851) The Return of the Dove to the Ark. Oil on canvas, 88.2 × 54.9 cm. Ashmolean Museum, Oxford.
• (1851) The Bridesmaid. Oil on canvas, 27.9 cm × 20.3 cm. Fitzwilliam Museum, Cambridge.
• (1851) Mrs Coventry Patmore (Emily Augusta Patmore)
• (1851–52) A Huguenot, on St Bartholomew’s Day, refusing to shield himself from danger by wearing the Roman Catholic badge. Oil on canvas, 92.71 cm × 64.13 cm.
• (1851–52) Ophelia. Oil on canvas, 76.2 cm × 111.8 cm. Tate Britain, London.
• (1852–53) The Order of Release, 1746. Oil on canvas, 102.9 cm × 73.7 cm. Tate Britain, London.
• (1852–53) The Proscribed Royalist, 1651. Oil on canvas, 102.8 cm × 73.6 cm. Andrew Lloyd Webber Collection.^[5]
• (1853) The Waterfall or Effie at Glenfinlas. Oil on canvas, 33.3 cm x 23.2 cm. Delaware Art Museum, Wilmington, Delaware.
• (1853) Effie with Foxgloves in her Hair or The Foxglove. Oil on millboard, 37.3 cm x 35.1 cm. National Trust: Wightwick Manor, Warwickshire.
• (1853–54) John Ruskin. Oil on canvas, 78.7 cm × 68 cm. Ashmolean Museum, Oxford.

Associate member of the Royal Academy of Arts (A.R.A.), 1853

• (1854) Waiting. Oil on panel, 32.4 cm x 25 cm. Birmingham Museums Trust, Birmingham.
• (1854) The Violet’s Message. Oil on panel, 25.4 cm x 19.7 cm.
• (1854) Annie Miller. Oil on panel, 22.7 x 14.9 cms. Harry Oppenheimer Collection.
• (1854–55) L’Enfant du Régiment. Oil on paper laid on canvas and board, 61 cm x 45.1. Yale Center for British Art, New Haven, Connecticut.
• (1855) The Rescue. Oil on canvas, 121.5 cm × 83.6 cm. National Gallery of Victoria, Melbourne.
• (c. 1855) Wandering Thoughts. Oil on canvas, 35.2 cm x 24.9 cm. Manchester City Art Gallery, Manchester.
• (1856) Autumn Leaves. Oil on canvas, 104 cm × 74 cm. Manchester City Art Gallery, Manchester.
• (1856) The Blind Girl. Oil on canvas, 83 cm × 62 cm. Birmingham Museum & Art Gallery, Birmingham.
• (1856) Peace Concluded, 1856. Oil on canvas, 120 cm × 91 cm. Minneapolis Institute of Arts, Minneapolis.
• (1857) The Escape of a Heretic, 1559. Oil on canvas, 109.4 cm x 79.1cm. Metropolitan Museum of Art, New York City.
• (1857) Portrait of a Young Lady. (Sophie Gray). Oil on paper laid over panel, 30 cm x 23 cm. Private collection.
• (1857) A Dream of the Past: Sir Isumbras at the Ford. Oil on canvas, 120 cm × 170 cm. Lady Lever Art Gallery, Port Sunlight, Merseyside.
• (1857–58) Only a Lock of Hair. Oil on panel, 35.3 cm x 25 cm. Manchester City Art Gallery, Manchester.
• (1858–59) The Vale of Rest. Oil on canvas, 102.9 cm × 172.7 cm. Tate Britain, London.
• (1859) Spring (Apple Blossoms). Oil on canvas, 176.3 cm x 113 cm. Lady Lever Art Gallery, Port Sunlight, Merseyside.
• (1860) The Black Brunswicker. Oil on canvas, 104 cm × 68.5 cm. Lady Lever Art Gallery, Port Sunlight, Merseyside.
• (c. 1860) Parable – The Leaven. Watercolour on paper, 13.6 cm × 10.7 cm. Aberdeen Art Gallery, Aberdeen.
• (c. 1860) Parable – The Hidden Treasure. Watercolour on paper, 13.6 cm × 10.9 cm. Aberdeen Art Gallery, Aberdeen.
• (c. 1860) Parable – The Pharisee and the Publican. Watercolour on paper, 13.8 cm × 10.7 cm. Aberdeen Art Gallery, Aberdeen.
• (1860–62) The Ransom. Oil on canvas, 134 cm × 115.9 cm. Getty Center, Los Angeles, California.
• (1862) Trust Me
• (1863) The Eve of St Agnes. Oil on canvas, 118.1 cm × 154.9 cm. Royal Collection.

Member of the Royal Academy of Arts (R.A.), 1863

• (1863) My First Sermon. Oil on canvas, 97 cm × 77 cm. Guildhall Art Gallery, London.
• (1863–64) Lily Noble or Lily, Daughter of John Noble
• (1864) Charlie Is My Darling. Oil on canvas, 109 cm × 68.5 cm. Private collection.
• (1864) My Second Sermon. Oil on canvas. 97 cm x 72 cm. Guildhall Art Gallery, London.
• (1864) Harold Heneage Finch-Hatton or Harold, Son of the Dowager Countess of Winchilsea. Panel, 28 cm x 23 cm (oval).
• (1864) Leisure Hours. Oil on canvas, 118.1 cm x 88.9 cm. Detroit Institute of Arts, Detroit.
• (1864) A Portrait of John Wycliffe Taylor at the Age of Five. Oil on panel, 35.5 cm x 26.5 cm.
• (1865) Joan of Arc. Oil on canvas, 82 cm x 62 cm. Private collection. Joan of Arc
• (1865) Esther. Oil on canvas, 106 cm × 77.4 cm. Private collection.
• (1865) The Parable of the Tares or The Enemy Sowing Tares. Oil on canvas, 111.8 cm x 86 cm. Birmingham Museums Trust, Birmingham.
• (1865) Waking. Oil on canvas, 87 cm x 67 cm. Perth Art Gallery, Perthshire.
• (1865–66) Sleeping. Oil on canvas, 89 cm x 68.5 cm. Private collection.
• (1865–66) Master Cayley or Hugh Cayley of Wydale
• (1866) The Minuet. Watercolour on canvas, 25.5 cm x 10 cm.
• (1867) Jephthah. Oil on canvas, 162.7 cm x 127 cm. National Museum Cardiff, Cardiff.
• (1868) Sisters. Oil on canvas, 108 cm x 108 cm.
• (1868) A Souvenir of Velasquez. Oil on canvas, 102.7 cm × 82.4 cm. Royal Academy of Arts, London.
• (1868) Vanessa. Oil on canvas, 112.7 cm x 91.5 cm. Sudley House, Liverpool.
• (1868) Stella. Oil on canvas, 112.7 cm x 92.1 cm. Manchester Art Gallery, Manchester.
• (1869) The Gambler’s Wife
• (1869) Nina, daughter of Frederick Lehmann, Esq.. Oil on canvas, 132.1 cm x 88.9 cm. Private collection.
• (1870) The Boyhood of Raleigh. Oil on canvas, 120.6 cm × 142.2 cm. Tate Gallery, London.
• (1870) The Marchioness of Huntly
• (1870) Chill October. Oil on canvas, 141.0 cm × 186.7 cm. Andrew Lloyd Webber Collection.^[5]
• (1870) A Flood. Oil on canvas, 144.9 cm x 99.3 cm. Manchester Art Gallery, Manchester.
• (1870) The Knight Errant. Oil on canvas, 184.1 cm × 135.3 cm. Tate Britain, London.
• (1871) The Martyr of the Solway. Oil on canvas, 70.5 cm × 56.5 cm. Walker Art Gallery, Liverpool.
• (1871) Victory O Lord!. Oil on canvas, 194.7 cm × 141.3 cm. Manchester Art Gallery, Manchester.
• (1871) A Somnambulist. Oil on canvas, 154 cm x 91 cm. Delaware Art Museum, Wilmington, Delaware.
• (1871) Flowing to the River. Oil on canvas, 188 cm x 139.7 cm. The Capricorn Foundation, on long-term loan to Tate Gallery, London.
• (1871) Charles Lyon Liddell or The Brown Boy or The Boy in the Brown Suit. Oil on canvas, 161.3 cm x 105.4 cm.
• (1871) Yes or No?. Oil on canvas, 111.8 cm × 91.4 cm. Yale University Art Gallery, New Haven, Connecticut.
• (1872) Oh! that a dream so sweet, so long enjoy’d, Should be so sadly, cruelly destroy’d. Oil on canvas, 127 cm x 83.9 cm. Private collection.
• (1872) Hearts are Trumps: Portraits of Elizabeth, Diana, and Mary, Daughters of Walter Armstrong, Esq.. Oil on canvas, 219.7 cm x 165.7 cm. Tate Gallery, London.
• (1872) Isabella Heugh
• (1873) Mrs Bischoffsheim. Oil on canvas, 136.4 cm x 91.8 cm. Tate Gallery, London.
• (1873) Portrait of Effie Millais. Oil on canvas, 99 cm × 84 cm. Perth Art Gallery, Perthshire.
• (1873) Scotch Firs
• (1873) Winter Fuel. Oil on canvas, 194.5 cm x 149.5 cm. Manchester Art Gallery, Manchester.
• (1873) New-Laid Eggs
• (1873) Early Days. Oil on canvas, 113.7 cm x 94.6 cm.
• (1874) The North-West Passage. Oil on canvas, 176.5 cm × 222.2 cm. Tate Britain, London.
• (1874) The Fringe of the Moor. Oil on canvas. Johannesburg Art Gallery, Johannesburg.
• (1875) The Deserted Garden
• (1875) “Over the Hills and Far Away”
• (1875) The Crown of Love
• (c. 1875) Dead Pheasants. Oil on panel, 30.5 cm x 20.3 cm.
• (1876) George Gray Millais. Oil on canvas, oval portrait. Geoffroy Richard Everett Millais Collection.
• (1876) The Sound of Many Waters. Oil on canvas, 57.5 cm × 107.8 cm. Fyvie Castle, Aberdeenshire.
• (1876) The Twins. Oil on canvas, 153.5 cm × 113.7 cm. Fitzwilliam Museum, Cambridge.
• (1876) The Yeoman of the Guard. Oil on canvas, 139.7 cm × 111.8 cm. Tate Britain, London.
• (1876) Lord Ronald Gower. Oil on canvas, 61 cm x 45.7 cm. Royal Shakespeare Company Collection.
• (1876) Edward Robert Bulwer Lytton (1831–1891), 1st Earl Lytton. Oil on canvas, 114.3 cm x 74.3 cm. Victoria and Albert Museum, London.
• (1877) Thomas Carlyle. Oil on canvas, 116.8 cm x 88.3 cm. National Portrait Gallery, London.
• (1877) Bright Eyes. Oil on canvas, 92 cm x 71.5 cm. Aberdeen Art Gallery, Aberdeen.
• (1877) The Good Resolve. Oil on canvas, 110 cm x 82.2 cm. Walker Art Gallery, Liverpool.
• (1877) Yes!. Oil on canvas, 149.8 cm x 116.8 cm. Andrew Lloyd Webber Collection.^[5]
• (1877) Puss in Boots. Oil on canvas, 106.7 cm x 79.3 cm. The McManus, Dundee.
• (1877) Effie Deans
• (1878) A Jersey Lily. Oil on canvas, 109 cm × 85 cm. Jersey Museum and Art Gallery, Saint Helier.
• (1878) The Two Princes Edward and Richard in the Tower, 1483. Oil on canvas, 147.2 cm x 91.4 cm. Royal Holloway Collection, London.
• (1878) St Martin’s Summer. Oil on canvas, 151 cm × 107 cm. Montreal Museum of Fine Arts, Montreal, Quebec.
• (1879) Urquhart Castle, on Loch Ness. Oil on canvas, 135 cm x 91.5 cm. Geoffroy Richard Everett Millais Collection.
• (1879) Cherry Ripe. Oil on canvas, 134.5 cm x 89 cm. Private collection.
• (1879) Princess Elizabeth in Prison at St James’s. Oil on canvas, 144.7 cm × 101.5 cm. Royal Holloway Collection, London.
• (1879) Portrait of Louise Jopling. Oil on canvas, 124 cm × 76.5 cm. National Portrait Gallery, London.
• (1879) Portrait of William Ewart Gladstone. Oil on canvas, 125.7 cm × 91.4 cm. National Portrait Gallery, London.
• (1879) Meditation. Oil on canvas, 91.5 cm x 61.4 cm. Shipley Art Gallery, Gateshead, Tyne and Wear.
• (1879) Portrait of Miss Beatrice Caird. Oil on canvas, oval, 55.8 cm x 43.2 cm.
• (1880) Portrait of the Painter or Self Portrait. Oil on canvas, 86 cm x 65 cm. Uffizi Gallery, Florence.
• (1880) Portrait of Mrs Kate Perugini. Oil on canvas, 124.5 cm x 78.7 cm.
• (1880) Portrait of Mrs Caird. Oil on canvas, 127 cm x 78.7 cm.
• (c. 1880) Reverend John Caird (1820–1898), Principal of Glasgow University (1873–1898). Oil on canvas, 127 cm x 91.4 cm. Glasgow Museums Resource Centre (GMRC), Glasgow.
• (1881) Benjamin Disraeli, The Earl of Beaconsfield, K.G.. Oil on canvas, 127.6 cm × 93.1 cm. National Portrait Gallery, London.
• (1881) Portrait of Alfred Tennyson. Oil on canvas, 127 cm × 93 cm. Lady Lever Art Gallery, Port Sunlight, Merseyside.
• (1881) Portrait of Cardinal John Newman. Oil on canvas, 121.3 cm x 95.3 cm. National Portrait Gallery, London; on display at Arundel Castle, Arundel.
• (1881) Cinderella. Oil on canvas. Andrew Lloyd Webber Collection.^[5]
• (1881) “Sweetest eyes were ever seen”. Oil on canvas, 100.5 x 72 cm. National Galleries of Scotland.
• (1881) Sir Henry Thompson. Oil on canvas, 125.7 cm x 914 cm. Tate Britain, London.
• (1882) The Captive or Ruby. Oil on canvas, 115.6 cm x 77.2 cm. Art Gallery of New South Wales, Sydney.
• (1883) Portrait of the Marquess of Salisbury. Oil on canvas, 127.3 cm × 93.3 cm. National Portrait Gallery, London.
• (1883) Self Portrait. Oil on canvas, 34.5 cm cm x 29.7 cm. Aberdeen Art Gallery, Aberdeen.
• (1884) An Idyll of 1745. Oil on canvas, 140 cm × 191 cm. Lady Lever Art Gallery, Port Sunlight, Merseyside.
• (c. 1884) Henry Irving
• (1884-85) The Right Honourable W. E. Gladstone
• (1885) The Ruling Passion or The Ornithologist. Oil on canvas, 160.7 cm × 215.9 cm. Kelvingrove Art Gallery and Museum, Glasgow.
• (1886) Bubbles. Oil on canvas, 102.8 cm × 73.6 cm. Lady Lever Art Gallery, Port Sunlight, Merseyside.
• (1886) Portia. Oil on canvas, 125.1 cm x 83.8 cm. Metropolitan Museum of Art, New York City.
• (1886) Archibald Philip Primrose, 5th Earl of Rosebery. Oil on canvas.
• (1886) Isabella Elder, née Ure (1828–1905). Oil on canvas, 127.6 cm x 84.5 cm. Glasgow Museums Resource Centre (GMRC), Glasgow.
• (1887) Christmas Eve. OIl on canvas, 157.5 cm x 134 cm. Private collection.
• (1887) Il Penseroso. Oil on canvas, 127 cm x 92 cm.
• (1887) Clarissa. Oil on canvas, 146 cm x 94 cm.
• (1888) Portrait of Arthur Sullivan. Oil on canvas, 115.6 cm × 87 cm. National Portrait Gallery, London.
• (1888) The Grey Lady. Oil on canvas, 140 cm x 94.5 cm. Private collection.
• (1888) The Old Garden. Oil on canvas. Andrew Lloyd Webber Collection.^[5]
• (1889-90) Dew-drenched Furze Oil on canvas, 173.2 cm x 123 cm. Tate Gallery, London.
• (1890) Lingering Autumn. Oil on canvas, 186 cm x 125 cm. Lady Lever Art Gallery, Port Sunlight, Merseyside.
• (1891) Glen Birnam. Oil on canvas, 145.2 cm × 101.1 cm. Manchester Art Gallery, Manchester.
• (1891) Portrait of “Mrs Charles Wertheimer” (actually of Wertheimer’s mistress Sarah Hammond rather than of his wife, Frieda Flachfeld). Oil on canvas, 127 cm x 84 cm.
• (1891) Portrait of Dorothy Lawson. Oil on canvas, 132 cm x 84.2 cm.
• (1891) Mary Chamberlain, née Endicott (1864–1957). Oil on canvas, 134.1 cm x 102.4 cm. Birmingham Museums Trust, Birmingham.
• (1891–92) “Little Speedwell’s darling blue”. Oil on canvas, 98 cm x 72 cm. Lady Lever Art Gallery, Port Sunlight, Merseyside.
• (1892) “Blow, blow, thou winter wind!”. Oil on canvas, 155 cm x 108 cm. Auckland Art Gallery, Auckland.
• (1893) The Girlhood of St. Theresa
• (1895) “Speak! Speak!”. Oil on canvas, 210.8 cm x 167.6 cm. Tate Gallery, London.
• (1895) St Stephen. Oil on canvas, 152.4 cm x 114.3 cm. Tate Gallery, London.
• (1896) A Forerunner. Oil on canvas, 141.2 cm x 82.2 cm. Glasgow Museums Resource Centre (GMRC), Glasgow.

See also

References

External links