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Although transient in terms of the history of architecture, and localised to Italy, albeit with some proponents in the [[United States]], there was a strong reaction against Neo-liberty.<ref>{{Cite web |title=Neo-Liberty {{!}} Encyclopedia.com |url=https://www.encyclopedia.com/education/dictionaries-thesauruses-pictures-and-press-releases/neo-liberty |access-date=2024-09-15 |website=www.encyclopedia.com}}</ref> This was published openly in April 1959 by [[Reyner Banham]], the [[British people|British]] architectural critic.<ref name=”:0″ /> |
Although transient in terms of the history of architecture, and localised to Italy, albeit with some proponents in the [[United States]], there was a strong reaction against Neo-liberty.<ref>{{Cite web |title=Neo-Liberty {{!}} Encyclopedia.com |url=https://www.encyclopedia.com/education/dictionaries-thesauruses-pictures-and-press-releases/neo-liberty |access-date=2024-09-15 |website=www.encyclopedia.com}}</ref> This was published openly in April 1959 by [[Reyner Banham]], the [[British people|British]] architectural critic.<ref name=”:0″ /> |
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associated with Neo-liberty included, [[Aldo Rossi]], [[Vittorio Gregotti]], [[Gae Aulenti]], Giotto Stoppino, [[Guido Canella]] and [[Giancarlo De Carlo]].<ref>{{Cite book |last1=Ciccarelli |first1=Lorenzo |url=https://books.google.com/books?id=DRpIEAAAQBAJ&dq=Neo-liberty+movement&pg=PA65 |title=Post-war Architecture between Italy and the UK: Exchanges and transcultural influences |last2=Melhuish |first2=Clare |date=2021-10-14 |publisher=UCL Press |isbn=978-1-80008-083-6 |language=en}}</ref> |
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== References == |
== References == |
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Latest revision as of 20:48, 12 September 2025
Neo-liberty was an original but transient concept in architectural theory, which developed in Italy the 1950s.[1][2] It was a concept held by a loosely connected group of Milanese architects, but particularly those associated with Casabella-Continuità , an architectural and design magazine, led by the editor-in-chief at Casabella, Ernesto Nathan Rogers.[3]
Neo-liberty’s origin lay in a re-assessment of the ideology of modernism.[2] It suggested that there was continuity between historic architectural tradition and modernism rather than an immutable chasm.[2] It further suggested that it was acceptable to include historical elements in current architecture and design.[2]
Although transient in terms of the history of architecture, and localised to Italy, albeit with some proponents in the United States, there was a strong reaction against Neo-liberty.[4] This was published openly in April 1959 by Reyner Banham, the British architectural critic.[2]
Architects associated with Neo-liberty included Roberto Gabetti, Aimaro Isola, Aldo Rossi, Vittorio Gregotti, Gae Aulenti, Giotto Stoppino, Guido Canella and Giancarlo De Carlo.[5]
