[[Televicentro (Canal 2)|Televicentro Canal 2]], which had won the [[OTI Festival 1977|1977 festival]] for [[Nicaragua in the OTI Festival|Nicaragua]] with the song “Quincho Barrilete” performed by Eduardo González, had the intention to host the contest at the [[Rubén Darío National Theatre]] in [[Managua]], according to an internal committee of the company. However, the [[Nicaraguan Revolution]] was boosted by the [[Sandinistas]] in order to topple the dictatorship of [[Anastasio Somoza Debayle]]. The outcome of the revolution was a violent civil war which caused a human and economical catastrophe in the country, which prevented the broadcaster from submitting his candidacy.<ref>{{Cite web|url=http://laoti.blogspot.com.es/search/label/1978.-%20SANTIAGO|title=1978.- SANTIAGO|website=La OTI|access-date=27 January 2018}}</ref> This was the first time that the winning broadcaster of the previous edition didn’t host the following year.
[[Televicentro (Canal 2)|Televicentro Canal 2]], which had won the [[OTI Festival 1977|1977 festival]] for [[Nicaragua in the OTI Festival|Nicaragua]] with the song “Quincho Barrilete” performed by Eduardo González, had the intention to host the contest at the [[Rubén Darío National Theatre]] in [[Managua]], according to an internal committee of the company. However, the [[Nicaraguan Revolution]] was boosted by the [[Sandinistas]] in order to topple the dictatorship of [[Anastasio Somoza Debayle]]. The outcome of the revolution was a violent civil war which caused a human and economical catastrophe in the country, which prevented the broadcaster from submitting his candidacy.<ref>{{Cite web|url=http://laoti.blogspot.com.es/search/label/1978.-%20SANTIAGO|title=1978.- SANTIAGO|website=La OTI|access-date=27 January 2018}}</ref> This was the first time that the winning broadcaster of the previous edition didn’t host the following year.
The OTI accepted the Chilean broadcasters‘ proposal, among the applications it had received, and designated them as the host broadcasters for the 1978 festival. Three Chilean national television networks joined forces in order to host the festival. {{lang|es|[[Televisión Nacional de Chile]]|i=no}} (TVN) organized the event together with {{lang|es|[[Universidad Católica de Chile Televisión|Corporación de Televisión de la Universidad Católica de Chile]]|i=no}} (UCTV) and {{lang|es|[[Universidad de Chile Televisión]]|i=no}} (UTV). The production and broadcast of this festival was the first color program for UCTV and UTV, and the biggest for TVN after the [[Viña del Mar International Song Festival]] 1978. The [[1978 Chilean telethon|Teleton 1978]], which was originally scheduled to take place on the day chosen for the festival, was pushed one week to 8–9 December, since TVN and UCTV had already made agreements with the OTI.
OTI accepted the Chilean broadcasters, among the applications it had received, and designated them as the host broadcasters the 1978 festival. Three Chilean national television networks joined forces in order to host the festival. {{lang|es|[[Televisión Nacional de Chile]]|i=no}} (TVN) organized the event together with {{lang|es|[[Universidad Católica de Chile Televisión|Corporación de Televisión de la Universidad Católica de Chile]]|i=no}} (UCTV) and {{lang|es|[[Universidad de Chile Televisión]]|i=no}} (UTV). The [[1978 Chilean telethon|Teleton 1978]], which was originally scheduled to take place on the day chosen for the festival, was pushed one week to 8–9 December, since TVN and UCTV had already made agreements with the OTI.
The Chilean broadcasters staged the OTI Festival 1978 in [[Santiago]]. The venue selected was the [[Municipal Theatre of Santiago|Municipal Theatre]], which is the most important stage theatre and opera house in the country, and can seat more than 1,500 spectators. It was opened in 1857 and was designed by Claudio Brunet des Baines. The building was built in French Neoclassical style and its entrance has been preserved despite the frequent fires, reforms, and reconstructions.<ref>{{Cite news|url=http://hemeroteca.abc.es/nav/Navigate.exe/hemeroteca/madrid/abc/1978/12/02/053.html|title=Esta noche el Festival de la OTI|newspaper=[[ABC (newspaper)|ABC]]|date=2 December 1978|page=53|location=[[Madrid]], Spain|language=es}}</ref>
The Chilean broadcasters staged the OTI Festival 1978 in [[Santiago]]. The venue selected was the [[Municipal Theatre of Santiago|Municipal Theatre]], which is the most important stage theatre and opera house in the country, and can seat more than 1,500 spectators. It was opened in 1857 and was designed by Claudio Brunet des Baines. The building was built in French Neoclassical style and its entrance has been preserved despite the frequent fires, reforms, and reconstructions.<ref>{{Cite news|url=http://hemeroteca.abc.es/nav/Navigate.exe/hemeroteca/madrid/abc/1978/12/02/053.html|title=Esta noche el Festival de la OTI|newspaper=[[ABC (newspaper)|ABC]]|date=2 December 1978|page=53|location=[[Madrid]], Spain|language=es}}</ref>
7th OTI Song Festival
The OTI Festival 1978 (Spanish: Séptimo Gran Premio de la Canción Iberoamericana, Portuguese: Sétimo Grande Prêmio da Canção Ibero-Americana) was the seventh edition of the OTI Festival, held on 2 December 1978 at the Municipal Theatre in Santiago, Chile, and presented by Raúl Matas and Raquel Argandoña. It was organised by the Organización de Televisión Iberoamericana (OTI) and host broadcasters Televisión Nacional de Chile (TVN), Corporación de Televisión de la Universidad Católica de Chile (UCTV), and Universidad de Chile Televisión (UTV). This was the first edition of the festival in which the winning broadcaster of the previous edition didn’t host the following year.
Broadcasters from nineteen countries participated in the festival. The winner was the song “El amor… cosa tan rara” performed by Denisse de Kalafe representing Brazil, with “Ha vuelto ya” by Susy Lemán representing the United States placing second, and “Como tú” by Lupita D’Alessio representing Mexico placing third. This year’s edition saw several important changes to the festival’s format.
The Organización de Televisión Iberoamericana (OTI) opened a selection process to choose the host broadcaster for the seventh edition of the OTI Festival, to which all its member broadcasters were eligible to apply.[a]
Televicentro Canal 2, which had won the 1977 festival for Nicaragua with the song “Quincho Barrilete” performed by Eduardo González, had the intention to host the contest at the Rubén Darío National Theatre in Managua, according to an internal committee of the company. However, the Nicaraguan Revolution was boosted by the Sandinistas in order to topple the dictatorship of Anastasio Somoza Debayle. The outcome of the revolution was a violent civil war which caused a human and economical catastrophe in the country, which prevented the broadcaster from submitting his candidacy.[2] This was the first time that the winning broadcaster of the previous edition didn’t host the following year.
In March 1978, the OTI accepted at its VII General Assembly the proposal of the Chilean broadcasters, among the applications it had received, and designated them as the host broadcasters of the 1978 festival.[3] Three Chilean national television networks joined forces in order to host the festival. Televisión Nacional de Chile (TVN) organized the event together with Corporación de Televisión de la Universidad Católica de Chile (UCTV) and Universidad de Chile Televisión (UTV). The Teleton 1978, which was originally scheduled to take place on the day chosen for the festival, was pushed one week to 8–9 December, since TVN and UCTV had already made agreements with the OTI.
The Chilean broadcasters staged the OTI Festival 1978 in Santiago. The venue selected was the Municipal Theatre, which is the most important stage theatre and opera house in the country, and can seat more than 1,500 spectators. It was opened in 1857 and was designed by Claudio Brunet des Baines. The building was built in French Neoclassical style and its entrance has been preserved despite the frequent fires, reforms, and reconstructions.[4]
Right after the festival, a farewell dinner for the participating delegations was held at the Club de la Unión‘s pergola.[5]
Broadcasters from nineteen countries participated in this edition of the OTI Festival. The OTI members, public or private broadcasters from Spain and eighteen Spanish and Portuguese speaking countries of Ibero-America signed up for the festival. From the countries that participated in the previous edition, Guatemala, Nicaragua, and Portugal didn’t return. On the other hand, Paraguay made its debut at the festival.[6]
It was not the first time that some countries decided to withdraw, but the broadcasters always justified their decision because of economical problems or disappointing placings. In this edition, for the first time, some of the non returning broadcasters cited political reasons for taking that decision. Portugal decided to be absent as a protest of the military dictatorship of Augusto Pinochet in Chile. Nicaragua had to withdraw from the contest for two years because of the catastrophic situation created by the civil war, making this the first and only time that the winning country of the previous festival would not participate in the following edition. Guatemala decided to withdraw the event bitterly disappointed by the previous year’s result. In addition, Bolivia, whose broadcaster was preparing its return, decided to rule out because the new military government that emerged from the coup d’état that led to the overthrow of the president Hugo Banzer decided to break all diplomatic relationships with neighboring Chile.
Some of the participating broadcasters, such as those representing Chile and Mexico, selected their entries through their regular national selections. Other broadcasters, decided to select their entry internally.
One performing artist had previously represented the same country in previous editions: Denisse de Kalafe had represented Brazil in 1976. The festival featured the OTI entry with the longest title ever “Pobrecito mortal, si quieres ver menos televisión, descubrirás qué aburrido estarás por la tarde” representing Chile. As was the case of the 1976 festival, all the competing songs were performed in Spanish.
The festival was held on Saturday 2 December 1978, beginning at 20:00 CLST (23:00 UTC). It was directed by Fernando Leighton, and presented by Raquel Argandoña and Raúl Matas. Matas had previously presented the inaugural OTI Festival back in 1972 in Madrid.[8] The musical director was Juan Azúa, who conducted the orchestra and the mixed choir of six voices when required. The draw to determine the running order (R/O) was held a few days before the event.
The opening act consisted of a recorded performance by the Ballet Folclórico de Chile on location at the doors of the theater. Before the voting began, a demonstration was made by the theater stage itself. It’s started with the background opening, then the floor of the stage lifted up, revealing the national flag of Chile, as the board lifted up revealing the electronic scoreboard, with it ending showing the flags of each participating country at both sides of the scoreboard.
The winner was the song “El amor… cosa tan rara” performed by Denisse de Kalafe representing Brazil, with “Ha vuelto ya” by Susy Lemán representing the United States placing second, and “Como tú” by Lupita D’Alessio representing Mexico placing third. There was a plaque for each of the first three places. The first prize plaque was delivered by Eduardo Reina, vice-president of OTI; the second prize plaque by Nicanor González, president of the OTI programs committee; and the third prize plaque by Hernán García Barzelatto, vice-president of the OTI programs committee. The festival ended with a reprise of the winning entry.
Winner
Each participating broadcaster[c] appointed a spokesperson who was responsible for announcing the points for their respective jury in descending order. Known spokespersons at the 1978 festival are listed below.
Detailed voting results
[edit]
This festival saw the first major change in the voting system in its history. Each participating broadcaster[c] assembled a national jury located in its respective country, consisting of four voting members and a president who would only decide in case of a tie. Each voting member scored each performance, except the entry representing its own country, between 1 and 5 votes right after it was performed, and at the end the president totaled all the scores and awarded 5 points to the most voted, 4 to the second, and so on down to 1 point. Each participating broadcaster had also a delegate present in the hall to stand in for its jury if it was not receiving the event live, or in case of communication failure during the broadcast or voting. In the event of a tie for first place, the stand-in delegates from the countries not affected by the tie would vote to select the winning song from among the tied ones. The Chilean jury was the only one present in the hall.[5]
All the countries gave their points remotely by telephone, except for Puerto Rico, Paraguay, Netherlands Antilles, and the Dominican Republic, which used the stand-in delegates. The countries voted in order of participation, but due to a communication problem with the spokespersons of Brazil, this had to be left for the end, with ending up unable to respond and having to also use the stand-in delegate.
Winner
The festival was broadcast in the 19 participating countries, and in Guatemala and Portugal, where the corresponding OTI member broadcasters relayed the contest through their networks after receiving it live via satellite.
Known details on the broadcasts of the festival in each country, including the specific broadcasting stations and commentators are shown in the tables below.
The audience figures just as happened in the previous year, reached the level of 300 million viewers. The show was acclaimed due to the successful debut of the four participating Chilean broadcasters in the color broadcasting. The quality of the sound system and the stage were also highly valued by the media.
Denise de Kalafe saw her already solid career boosted, not only in Brazil, but also in Mexico, where she found a fervorous fanbase. Her success in that country led her to move to Mexico. She holds the dual Mexican-Brazilian citizenship.[16]
The Mexican entrant, Lupita D’Alessio was arguably the most acclaimed performer and the most remembered one after the festival. In fact, she turned into one of the most recognised female vocalist in all Latin America. Her third place in the contest launched her career in all the Spanish speaking world to the point that she has released more than twenty studio albums and hit songs. Her success in the festival also boosted her acting career in famous Telenovelas during the 1970s and 1980s decades. She also took part in one film during her career.[17]
The Spanish singer-songwriter Chema Purón also saw his career expanded. As a singer, he released five albums after his participation in the OTI Festival. During his career he composed many song for both Spanish and Latin American singers such as the Venezuelan José Luis Rodríguez. He also composed many Spanish entries in both the OTI Festival and in the Eurovision Song Contest, such as “Colgado de un sueño” for Serafín Zubiri and “Vuelve conmigo” for Anabel Conde (which got the second place in the Eurovision Song Contest 1995).[18]
Other contestants such as Salvadoran Álvaro Torres, Colombian Billy Pontoni, and Puerto Rican Rafael José saw their careers boosted.[19][20]
- ^ VI Festival de la canción OTI 1977 (Television programme) (in Spanish). Madrid, Spain: Televisión Española (TVE). 12 November 1977.
- ^ “1978.- SANTIAGO”. La OTI. Retrieved 27 January 2018.
- ^ “Chile designado sede del Festival OTI 1978”. El Cronista (in Spanish). Santiago, Chile. 12 March 1978. p. 30. Retrieved 5 December 2025 – via Archivo de la Palabra Impresa by Diego Portales University.
- ^ “Esta noche el Festival de la OTI”. ABC (in Spanish). Madrid, Spain. 2 December 1978. p. 53.
- ^ a b “A 24 horas de la OTI”. El Cronista (in Spanish). Santiago, Chile. 2 December 1978. pp. 16–17. Retrieved 30 November 2025 – via Archivo de la Palabra Impresa by Diego Portales University.
- ^ “Portal Guarani – ROLANDO PERCY”. Portal Guarani (in European Spanish). Retrieved 27 January 2018.
- ^ VII Festival de la canción OTI 1978 (Television programme) (in Spanish). Santiago, Chile: Televisión Nacional de Chile, Corporación de Televisión de la Universidad Católica de Chile, and Universidad de Chile Televisión. 2 December 1978.
- ^ “Tribuna | La OTI”. El País (in Spanish). Madrid, Spain. 28 November 1978. ISSN 1134-6582.
- ^ “Televisión”. Crónica (in Spanish). Buenos Aires, Argentina. 2 December 1978. p. 18 – via Internet Archive.
- ^ “Carta de ajuste”. El Cronista (in Spanish). Santiago, Chile. 2 December 1978. p. 24. Retrieved 30 November 2025 – via Archivo de la Palabra Impresa by Diego Portales University.
- ^ “Hoy en TV – Vía satélite desde Santiago de Chile”. El Tiempo (in Spanish). Bogotá, Colombia. 12 November 1977. p. 1-B. Retrieved 20 October 2025 – via Google Books.
- ^ “Televisión” [Television]. El Tiempo (in Spanish). Bogotá, Colombia. 2 December 1978. p. 2-A. Retrieved 20 October 2025 – via Google Books.
- ^ “TV”. La Nación (in Spanish). San José, Costa Rica. 2 December 1978. p. 59-A. Retrieved 20 October 2025 – via Google Books.
- ^ “Agenda Curaçao”. Amigoe di Curaçao (in Dutch). Willemstad, Curaçao. 9 December 1978. p. 2 – via Delpher.
- ^ “Televisión Española”. Diario de Burgos (in Spanish). Burgos, Spain. 2 December 1978. p. 2 – via Virtual Library of Historical Newspapers.
- ^ BuenaMusica.com. “Denise De Kalafe – Biografía, historia y legado musical”. buenamusica.com (in Spanish). Retrieved 27 January 2018.
- ^ “LOLITA DE LA COLINA”. LOLITA DE LA COLINA. Retrieved 27 January 2018.
- ^ “JOSÉ MARÍA PURÓN”. guateque.net. Retrieved 27 January 2018.
- ^ S.A.P., El Mercurio (18 December 2012). “Álvaro Torres recuerda sus visitas: “El 91 me encontré con un Chile menos tenso” | Emol.com” (in Spanish). Retrieved 27 January 2018.
- ^ “Rafael José a 35 años de haber ganado el OTI”. El Nuevo Dia (in Spanish). 6 November 2015. Retrieved 27 January 2018.
