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File:Gustave Courbet 027.jpg|”[[Young Ladies Beside the Seine (Summer)|Young Ladies Beside the Seine]]” by [[Gustave Courbet]] |
File:Gustave Courbet 027.jpg|”[[Young Ladies Beside the Seine (Summer)|Young Ladies Beside the Seine]]” by [[Gustave Courbet]] |
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File:Corot concert champêtre Condé Chantilly.jpg|”[[Le concert champêtre]]” by [[Jean-Baptiste-Camille Corot]] |
File:Corot concert champêtre Condé Chantilly.jpg|”[[Le concert champêtre]]” by [[Jean-Baptiste-Camille Corot]] |
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File:The Burning of Sodom (formerly “The Destruction of Sodom”) MET DT2014.jpg|”The Destruction of Sodom” by [[Jean-Baptiste-Camille Corot]] |
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Latest revision as of 01:33, 28 November 2025
1857art exhibition in Paris
The Salon of 1857 was an art exhibition held in Paris. Part of the regular tradition of Salons It was held at the Palace of Industry built for the Exposition Universelle in 1855. Organised by the Académie des Beaux-Arts, it opened on 15 June 1857. The Salon reverted to its traditional formal after the Salon of 1855, part of the Exposition Universelle, which had featured a large number of retrospective works from both France and elsewhere.
Amongst paintings on display were The Congress of Paris by Édouard Dubufe depicting the diplomatic gathering of the same name that brought an end to the Crimean War.[1] Jean-Léon Gérôme enjoyed great public success with The Duel After the Masquerade.[2]
- Allan, Scott & Morton, Mary G. Reconsidering Gérôme. Getty Publications, 2010.
- Romberg, Marion. Empresses and Queens in the Courtly Public Sphere from the 17th to the 20th Century. BRILL, 2022.
- Thoma, Julia. The Final Spectacle: Military Painting under the Second Empire, 1855-1867. Walter de Gruyter, 2019.
- Tinterow, Gary. Corot. Metropolitan Museum of Art, 1996.
