Stuck (2014 film): Difference between revisions

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| director = Stuart Acher

| director = Stuart Acher

| producer = Stuart Acher<br />[[Joel Michaely]]

| producer = Stuart Acher<br />[[Joel Michaely]]

| cinematography = John Matysiak

| cinematography = John Matysiak

| editing = Stuart Acher

| editing = Stuart Acher

| music =

| music =


Latest revision as of 21:15, 14 October 2025

2014 romantic comedy film directed by Stuart Acher

Stuck
Directed by Stuart Acher
Written by Stuart Acher
Neil Pollner (story by)
Dena Waxman (story by)
Produced by Stuart Acher
Joel Michaely
Starring
Cinematography John Matysiak
Edited by Stuart Acher

Production
companies

Stuck Productions
Stupendous Films
The Mob Entertainment

Distributed by GoDigital
ITN Distribution
Premiere Entertainment Group
Lighthouse Home Entertainment
Eagle Films
Accent Film Entertainment

Release dates

  • June 1, 2014 (2014-06-01) (Turkey)
  • October 10, 2014 (2014-10-10) (United States)

Running time

84 minutes
Country United States
Language English

The Morning After (stylised as #Stuck) is a 2014 American romantic comedy film directed by Stuart Acher and starring Madeline Zima and Joel David Moore.

Two strangers, who just had a one-night stand, are forced to spend the morning together when they got stuck in a dead-stopped traffic congestion.

The review aggregator website Rotten Tomatoes reported an approval rating of 60%, based on 10 reviews.[1] Frank Scheck on his review for The Hollywood Reporter wrote: “Stuck is too slight to make us care about whether its characters ultimately get together. Moore displays a low-key deadpan charm and Zima, although a little too prone to constant giggling, is sexy and charming. But by the time the film is over, viewers are likely to wind up feeling like they’ve been stuck in traffic themselves”.[2] Michael Rechtshaffen from the newspaper Los Angeles Times called the movie a “a talky adult comedy that finally succumbs to the confines of its setting despite a cute setup”.[3] Serena Donadoni from The Village Voice gave the film a more favorable review, stating: “While Holly and Guy are parked on the freeway, Acher’s widescreen camera also wanders off to explore the surrounding vehicles, capturing moments of exasperation and humor. Acher adroitly juggles all the gimmickry, using it to comment on Holly and Guy’s burgeoning relationship”.[4]

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