Susan McKeown: Difference between revisions

 

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==Awards==

==Awards==

*2018 — [[IrishCentral]] Anam Award<ref>IrishCentral Staff, ‘Announcing Grammy‑Award Winner Susan McKeown as IrishCentral’s Anam Award Recipient,’ IrishCentral, January 29, 2018, accessed November 19, 2025, https://www.irishcentral.com/news/community/susan-mckeown-anam-award.</ref>

*2018 — [[IrishCentral]] Anam Award<ref> Susan McKeown as IrishCentral’s Anam Award https://www.irishcentral.com/news/community/susan-mckeown-anam-award.</ref>

*2012 — [[Irish Arts Council]] Bursary Award

*2012 — [[Irish Arts Council]] Bursary Award

*2007 — [[Grammy Award for Best Contemporary World Music Album]] for ”[[Wonder Wheel (album)|Wonder Wheel]]”

*2007 — [[Grammy Award for Best Contemporary World Music Album]] for ”[[Wonder Wheel (album)|Wonder Wheel]]”

Irish folk singer, songwriter, and producer

Musical artist

Susan McKeown (born February 6, 1967) is an Irish folk singer, songwriter, and producer. Recognized as “the most strikingly original woman in Celtic music,”^[1] McKeown has released twenty albums over a career spanning more than three decades.^[2] Among several awards and honors, McKeown won the 2007 Grammy Award for Best Contemporary World Music Album for Wonder Wheel with The Klezmatics.^[3][4]

Since 1989 she has served as front woman of Susan McKeown & The Chanting House, whose 1996 breakthrough album Bones garnered international recognition.^[5] McKeown’s rendition of “Eggs in Her Basket” off her 2004 album Sweet Liberty was nominated for the BBC Radio 2 Folk Award for Best Track.^[6] Her 2012 album Belong was a critical and commercial success, with its lead single “Everything We Had Was Good,” topping the Billboard Folk Music Chart.^[7][8]

Throughout her career, McKeown has performed at major venues including the Glastonbury Festival, Carnegie Hall, and the Hollywood Bowl. Her music has been featured on PBS, NPR, PRI, BBC, and RTÉ, as well as in ad campaigns for Audi, Jaguar, and Olay.^[9] Alongside poet Paul Muldoon, McKeown serves as co-artistic director of Feis Teamhra, an annual festival of poetry and music held at the Hill of Tara, an ancient ceremonial site in County Meath, Ireland.^[10][11]

Susan McKeown was born on February 6, 1967, in Terenure, County Dublin, Ireland.^[12] She briefly studied classical voice at the Dublin College of Music, eventually abandoning a potential career in opera in order to pursue folk music. McKeown later matriculated to University College Dublin, earning a joint honours degree in English and Philosophy.^[9]

Together with John Doyle, McKeown formed a band called The Chanting House in 1989. Mainly performing as a duo, they toured Europe with Donogh Hennessy and other musicians, playing original songs as well as traditional Irish music. The Chanting House released a cassette-only, self-titled debut album in 1990. Later that same year McKeown was awarded a bursary from the Arts Council of Ireland, as well as a scholarship to attend the American Musical and Dramatic Academy in New York City.^[9]

McKeown immigrated to the United States in 1990, with Doyle following suit shortly thereafter. The pair later joined forces with Seamus Egan and Eileen Ivers, rebranding as Susan McKeown and The Chanting House.^[9]

In the early 1990s, the band performed around New York’s East Village, headlining numerous storied venues including Sin-é, Club Fez, Mercury Lounge, CBGB, The Bottom Line and the Bowery Ballroom. In 1992 they recorded a second self-produced cassette-only album, The Chanting House: LIVE, and contributed the track “If I Were You” to the 1993 album Straight Outta Ireland for Scotti Brothers Records.^[13] Other band members from this period included Chris Cunningham, Michelle Kinney, Lindsey Horner and Joe Trump.

The band later garnered further attention after signing with the indie record label 1-800-Prime-CD and releasing their debut studio album Bones in 1995. The album features original songs inspired by the ancient irish tradition of keening (caoineadh) as well as a musical arrangement of Robert Burns‘ poem “Westlin’ Winds”, that was later covered by Fairport Convention. After touring internationally, on and off for seven years, the band released their sophomore studio album Prophecy via Sheila-na-Gig Music in 2002. The album received critical acclaim, with Siobhan Long of The Irish Times noting “McKeown exhibits damn fine, Renaissance musicianship… Challenging and cerebral, Prophecy’s 10 gemstone tracks will tap at your subconscious long after your first listen.”^[14]

In 1997, McKeown recorded three albums: her own Bushes & Briars (Alula); Peter & Wendy, the soundtrack to the Obie Award-winning Mabou Mines theatrical production of the same name, which was composed by Johnny Cunningham; and Through the Bitter Frost & Snow, a collaboration with bassist Lindsey Horner. At this time, she began to divide her work into albums of traditional music (Bushes and Briars, 1998) and singer-songwriter albums (Bones, 1995; Prophecy, 2002).

Around 1992, Scots fiddler Johnny Cunningham asked McKeown to be the singer of the songs he had begun composing for the New York theatre company Mabou Mines’ production of Peter & Wendy. He composed the rest of the songs for McKeown’s voice. They worked together on the show for many years, including performances at The Public Theater, New Victory Theater, Spoleto Festival, Berkeley Repertory, UCLA Geffen Theatre and Dublin Theatre Festival. In the late 1990s, McKeown and Cunningham formed a duo and started an annual winter tour of music and song from the Scots and Irish traditions. This resulted in their producing the album A Winter Talisman in 2001 with guitarist Aidan Brennan.

In 1997, Cunningham invited McKeown to perform on the album and PBS TV Special The Soul of Christmas with Thomas Moore. It was while working on this show that McKeown suggested to Cathie Ryan and Robin Spielberg the idea of recording an album of songs relating to motherhood, resulting in the Mother album (1999).

McKeown began producing, and contributed to the albums Lowlands (2000 Green Linnet) and Sweet Liberty (2004 World Village/Harmonia Mundi). The latter earned a BBC Folk Music Award nomination for her setting of an English folk song with a mariachi band. Her second release for Harmonia Mundi’s World Village imprint was Blackthorn (2006).

In December 2003, McKeown joined the klezmer band The Klezmatics onstage at the 92nd Street Y in Manhattan in a concert of songs they had composed to lyrics by Woody Guthrie. She has toured and appeared with The Klezmatics often since then, performing in Europe and across the U.S., including in Carnegie Hall in New York City and Disney Hall in Los Angeles. Together they recorded Woody Guthrie’s Happy Joyous Hanukkah (2004) and Wonder Wheel (2006) which won a Grammy for Best Contemporary World Music Album.

In 2009, McKeown and Lorin Sklamberg, the lead singer of The Klezmatics, released Saints & Tzadiks (World Village/Harmonia Mundi), an album combining Yiddish and Irish songs.

McKeown devised and produced Songs from the East Village, a world music album of songs from the students, parents and staff of The East Village Community School in Manhattan which was released in September 2010. The album was featured on National Public Radio and has since raised over thirty thousand dollars for the school’s Language & Arts programs.^[15]

In October 2010 she released the solo album, Singing in the Dark, an exploration of creativity and madness with lyrics from poets who lived with depression, mania and addiction, featuring musical settings of lyrics by Dalkey-born John Dowland, James Clarence Mangan, Nuala Ní Dhomhnaill, Gwendolyn Brooks, Anne Sexton, Gwyneth Lewis and others, with music composed by McKeown, Leonard Cohen, John Dowland, Violeta Parra, and Klezmatics members Lisa Gutkin and Frank London.

McKeown was a 2012 recipient of The Arts Council of Ireland’s Traditional Arts Bursary.

In November 2012 she released Belong, her third album of original song. ‘Everything We Had Was Good’ – a duet with James Maddock – reached #1 on the American Folk Music Chart and the album reached #11.^[16] A video for ‘On the Bridge to Williamsburg’, a duet with Declan O’Rourke, was released in November 2014.

In February 2018, she was IrishCentral’s ‘Anam’ Award recipient for “discovering and revealing the soul of Irish song”.^[17] Later in 2018, McKeown was Music Network Ireland’s musician-in-residence at Dún Laoghaire LexIcon Library during which she researched the lives of extraordinary Irish women from the county whose stories were little known and composed and performed songs about them.

In January 2020, she wrote and performed original songs in Honor Molloy‘s ‘Round Room’ as part of New York-based Origin Theatre Company’s 1st Irish Theatre Festival.

McKeown is the founder and director of Cuala Foundation.^[18]

In 2021, McKeown was contacted by the Afghan Dreamers, the original members of the Afghan Girls Robotics Team, and when they fled Afghanistan for Pakistan she worked with the Irish government Departments of Justice and Foreign Affairs to secure special refugee status for the young women. Over the next two years Cuala Foundation raised money from donors and directly supported their resettlement in Ireland as well as that of their 55 family members in California.^[19][20]

Screenwriter and director Marian Quinn cast McKeown in the role of Teresa in her film Twig, a retelling of the Greek tragedy Antigone set in contemporary Dublin. Twig served as the opening film of the 2024 Dublin International Film Festival.^[21]