From Wikipedia, the free encyclopedia
Content deleted Content added
|
 |
|||
| Line 47: | Line 47: | ||
|
[[Category:1919 films]] |
[[Category:1919 films]] |
||
|
[[Category:1919 drama films]] |
[[Category:1919 drama films]] |
||
|
[[Category:Silent American drama films]] |
|||
|
[[Category:American silent feature films]] |
[[Category:American silent feature films]] |
||
|
[[Category:American black-and-white films]] |
[[Category:American black-and-white films]] |
||
|
[[Category:Films directed by Tod Browning]] |
[[Category:Films directed by Tod Browning]] |
||
|
[[Category:Universal Pictures films]] |
[[Category:Universal Pictures films]] |
||
|
[[Category:Lost American drama films]] |
|||
|
[[Category:Films based on works by Fannie Hurst]] |
[[Category:Films based on works by Fannie Hurst]] |
||
|
[[Category:1919 lost films]] |
[[Category:1919 lost films]] |
||
| Line 58: | Line 56: | ||
|
[[Category:1910s English-language films]] |
[[Category:1910s English-language films]] |
||
|
[[Category:English-language drama films]] |
[[Category:English-language drama films]] |
||
|
[[Category:Lost silent American films]] |
[[Category:Lost silent American films]] |
||
|
[[Category:Lost silent drama films]] |
|||
Latest revision as of 20:18, 7 October 2025
1919 film
The Petal on the Current is a lost[1] 1919 American drama film directed by Tod Browning.[2]
Based upon a description in a film magazine,[3] Stella Schump (MacLaren) is a working girl who, on the advice of a friend Cora (Ridgeway), who is attempting to be a matchmaker, attends a party where she is supposed to meet a bashful man. He does not show up, and she has her first drink of beer. This affects her so she becomes dazed, and she leaves for home. A detective comes upon her, and after she repeats bits of conversation she heard at the party, he arrests her for being drunk and for solicitation. A night court convicts her and sentences her to ten days in jail. She writes her mother of her plight, and her mother (Claire) dies from shock upon reading the letter. After she is let out of jail, she loses her job and, after her money runs out, goes to a park and sits on a bench. A bashful man (Anderson), who is disillusioned about women, comes by. She has heard of him, but they have never met. He turns out to be a foreman at a factory, and as they talk they realize they were supposed to have met at the party. They leave together and marry.



