The Shadiest One: Difference between revisions

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| label = {{hlist|[[Payday Records|Payday]]|[[FFRR Records|FFRR]]}}

| label = {{hlist|[[Payday Records|Payday]]|[[FFRR Records|FFRR]]}}

| producer = {{hlist|DJ [[Crazy Toones]] (also [[Executive producer|exec.]])|[[WC (rapper)|WC]] (also exec.)|[[Ant Banks]]|Barr 9 Productions|[[Daz Dillinger]]|[[Battlecat (producer)|DJ Battlecat]]|Douglas Coleman|Mo-Suave-A|Rick “Dutch” Cousin|Stu-B-Doo|Young Tre}}

| producer = {{hlist|DJ [[Crazy Toones]] (also [[Executive producer|exec.]])|[[WC (rapper)|WC]] (also exec.)|[[Ant Banks]]|Barr 9 Productions|[[Daz Dillinger]]|[[Battlecat (producer)|DJ Battlecat]]|Douglas Coleman|Mo-Suave-A|Rick “Dutch” Cousin|Stu-B-Doo|Young Tre}}

| prev_title = [[Bow Down]]

| prev_title =

| prev_year = 1996

| prev_year =

| next_title = [[Ghetto Heisman]]

| next_title = [[Ghetto Heisman]]

| next_year = 2002

| next_year = 2002


Latest revision as of 01:49, 14 January 2026

1998 studio album by WC

The Shadiest One is the debut solo studio album by American rapper WC. It was released on April 28, 1998, via Payday/FFRR Records. The recording sessions took place at Backroom Studios in Glendale, at Echo Sound in Los Angeles, at Skip Saylor Recording in California, at Bad Ass Beat Lab in Antioch, at Infinite Studios in Alameda, at The Crackhouse, at Urban House Studios, Inc., and at Can-Am Recorders in Tarzana. The production was handled by DJ Battlecat, Stu-B-Doo, Ant Banks, Barr 9 Productions, Daz Dillinger, Douglas Coleman, Mo-Suave-A, Rick “Dutch” Cousin, Young Tre, DJ Crazy Toones and WC (the latter two also served as executive producers). It features guest appearances from CJ Mac, Daz Dillinger, E-40, Ron Banks, Too $hort, and Westside Connection. The album peaked at number 19 on the Billboard 200 and at number 2 on the Top R&B/Hip-Hop Albums in the United States. Both of its singles, “Just Clownin’” and “Better Days“, made it to the Billboard Hot 100 landing at number 56 and 64, respectively.

The Los Angeles Times said that the album “marries slick, funked-out beats with an unpretentious, silver-tongued flow—he sounds like a West Coast version of Queens MC Kool G. Rap.”[3]

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