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In Paris, Ward became an accomplished and successful painter, studying with [[Pierre Auguste Cot]].<ref name=”grandes dames”/> She signed her paintings “Louise Dubréau”<ref name=”grandes dames”/>, sometimes rendered “Louise Dubreau”,<ref name=”geneanet”/><ref name=”Truth”>{{cite book |title=Truth, ”Volume 15” |date=1884 |publisher=[[Truth (magazine)|Truth]] |page=343 |url=https://books.google.com/books?id=V2FY5RJgNLAC&pg=PA343}}</ref><ref>{{cite book |last1=Ribeyre |first1=Félix |title=Cham: sa vie et son oeuvre |date=1884 |publisher=[[Plon (publisher)|E. Plon, Noirrit et cie.]] |page=155 |url=https://books.google.ca/books?id=Fw4NAAAAYAAJ&pg=PA155}}</ref> or “Louise du Bréau”,<ref name=”Correspondant”/> after her husband d’Hervey’s estate Château du Bréau near [[Dourdan]]<ref name=”grandes dames”/> in [[Seine-et-Oise]]<ref name=”siecle”/><ref>{{cite book |title=Mémoires de la Société d’Ethnographie, ”Volume 12” |date=1874 |publisher=Société d’Ethnographie |page=235 |url=https://books.google.com/books?id=pXFhAAAAcAAJ&pg=PA235}}</ref> in the department of [[Yvelines]].<ref name=”siecle”>{{cite book |last1=Bergère |first1=Marie-Claire |title=Un siècle d’enseignement du chinois à l’École des langues orientales |date=2020 |publisher=L’Asiathèque |isbn=9782360571581 |url=https://books.google.com/books?id=227oDwAAQBAJ&pg=PT101}}</ref>

In Paris, Ward became an accomplished and successful painter, studying with [[Pierre Auguste Cot]].<ref name=”grandes dames”/> She signed her paintings “Louise Dubréau”<ref name=”grandes dames”/>, sometimes rendered “Louise Dubreau”,<ref name=”geneanet”/><ref name=”Truth”>{{cite book |title=Truth, ”Volume 15” |date=1884 |publisher=[[Truth (magazine)|Truth]] |page=343 |url=https://books.google.com/books?id=V2FY5RJgNLAC&pg=PA343}}</ref><ref>{{cite book |last1=Ribeyre |first1=Félix |title=Cham: sa vie et son oeuvre |date=1884 |publisher=[[Plon (publisher)|E. Plon, Noirrit et cie.]] |page=155 |url=https://books.google.ca/books?id=Fw4NAAAAYAAJ&pg=PA155}}</ref> or “Louise du Bréau”,<ref name=”Correspondant”/> after her husband d’Hervey’s estate Château du Bréau near [[Dourdan]]<ref name=”grandes dames”/> in [[Seine-et-Oise]]<ref name=”siecle”/><ref>{{cite book |title=Mémoires de la Société d’Ethnographie, ”Volume 12” |date=1874 |publisher=Société d’Ethnographie |page=235 |url=https://books.google.com/books?id=pXFhAAAAcAAJ&pg=PA235}}</ref> in the department of [[Yvelines]].<ref name=”siecle”>{{cite book |last1=Bergère |first1=Marie-Claire |title=Un siècle d’enseignement du chinois à l’École des langues orientales |date=2020 |publisher=L’Asiathèque |isbn=9782360571581 |url=https://books.google.com/books?id=227oDwAAQBAJ&pg=PT101}}</ref>

Two of her best-known paintings are ”The Old Lodger” (1877), which was exhibited at the [[Salon (Paris)|Salon de 1877]],<ref name=”Explication”/> and ”Printemps” (1882), which was exhibited at the [[Salon (Paris)|Salon de 1882]].<ref name=”Salon 1882″>https://books.google.com/books?id=w0CN0z-ODkUC&pg=PP37</ref>

Two of her best-known paintings are ”The Old Lodger” (1877), which was exhibited at the [[Salon (Paris)|Salon de 1877]],<ref name=”Explication”/> and ”Printemps” (1882), which was exhibited at the [[Salon (Paris)|Salon de 1882]].<ref name=”Salon 1882″>https://books.google.com/books?id=w0CN0z-ODkUC&pg=PP37</ref>

==Personal life==

==Personal life==

Latest revision as of 21:40, 14 November 2025

1885 portrait by Raimundo de Madrazo y Garreta

Louise Ward, sometimes rendered Louise de Ward[1] (1849–1930), known in the art world by her pseudonym Louise Dubréau or Louise Dubreau, was a French painter and Parisian society belle.

Ward was born on 9 July 1849[2] in Parma, Italy,[2][a] where her father had been stationed as chief minister of the Duke of Parma.[4] Burke’s Peerage of 1850 and thereafter indicates that her birth name was Elizabeth Margaret Ward.[5][6][b]

She was an Austrian baroness who was the daughter of Baron Thomas Ward[2][9] and his wife Louise Genthner, a Viennese commoner whom Thomas Ward had married in 1832.[10]

In Paris, Ward became an accomplished and successful painter, studying with Pierre Auguste Cot.[1] She signed her paintings “Louise Dubréau”[1], sometimes rendered “Louise Dubreau”,[2][11][12] or “Louise du Bréau”,[13] after her husband d’Hervey’s estate Château du Bréau near Dourdan[1] in Seine-et-Oise[14][15] in the department of Yvelines.[14]

Two of her best-known paintings are The Old Lodger (1877), which was exhibited at the Salon de 1877,[3] and Printemps (1882), which was exhibited at the Salon de 1882.[16]

In 1868, at the age of 18, she married French sinologist Marie-Jean-Léon, Marquis d’Hervey de Saint Denys.[citation needed] Her title became Marquise d’Hervey de Saint-Denys.[1] The couple lived in Paris in their mansion at 9 Avenue Bosquet.[17][1][18]

In Paris, Ward became a society belle (mondaine),[1][19] and was known as a great beauty.[19][11][13][1] Marcel Proust based at least one princess on her in his multi-volume novel series In Search of Lost Time.[14][citation needed]

Her first husband, Hervey de Saint Denys, died in 1892.[20][21][22] In 1896, Ward remarried, to French aristocrat and Olympic equestrian Jacques de Waru (1865–1911).[2]

  • Ne dine jamais en ville [Never dine out] (known in English as The Old Lodger) (1877)[1]
  • Chanteuse des rues [Street Singer] (1878)[3][1][13]
  • Jeanne d’Arc (1879)[1][23][24]
  • Marchand de marrons [Chestnut Seller] (1880)[25]
  • Printemps (1882)[16]
  1. ^ Some French sources, dating from 1877 or thereafter, state that she was born in Vienna,[3] where her father had been sent in 1849 by the Duke of Parma as minister-plenipotentiary to represent the duchy, and where Emperor Franz Joseph I conferred on him the Austrian title of Baron.[4]
  2. ^ French sources, which all date from her 1896 second marriage and thereafter, give her name as Louise Marguerite Elisabeth Ward.[7][8]
  1. ^ a b c d e f g h i j k Vento, Claude (1886). “La Marquise d’Hervey de Saint-Denys”. Les grandes dames d’aujourd’hui [The Great Ladies of Today]. Dentu. pp. 359–366.
  2. ^ a b c d e “Louise Ward”. Geneanet. Retrieved 12 November 2025.
  3. ^ a b c Explication des ouvrages de peinture, sculpture, architecture, gravure, et lithographie des artistes vivants. Salon de 1877. 1878. p. 69.
  4. ^ a b Marquis de Ruvigny, ed. (1909). The Nobilities of Europe (PDF). London: Melville and Company. pp. 168–169.
  5. ^ Genealogical and Heraldic Dictionary of the Peerage and Baronetage of the British Empire, Volume 10; Volume 12. Burke’s Peerage Limited. 1850. p. 1098.
  6. ^ Burke’s Peerage (1858). A Genealogical and Heraldic Dictionary of the Peerage and Baronetage of the British Empire. H. Colburn. p. 1118.
  7. ^ Révérend, Albert, ed. (1897). Annuaire de la Pairle et de la Noblesse de France, des Maisons Souveraines de l’Europe et de la Diplomatie. E. Plon, Noirrit et cie. p. 458.
  8. ^ Révérend, Albert (1904). Titres, Anoblissements et Pairies de la Restauration 1814-1830, Volume 4. Honoré Champion. p. 257.
  9. ^ “mariage act p. 10/31”
  10. ^ Myers, Jesse (1938). Baron Ward and the Dukes of Parma. Longmans, Green & Co. p. 24.
  11. ^ a b Truth, Volume 15. Truth. 1884. p. 343.
  12. ^ Ribeyre, Félix (1884). Cham: sa vie et son oeuvre. E. Plon, Noirrit et cie. p. 155.
  13. ^ a b c Le Correspondant, Volume 111. Le Correspondant. 1878. p. 803.
  14. ^ a b c Bergère, Marie-Claire (2020). Un siècle d’enseignement du chinois à l’École des langues orientales. L’Asiathèque. ISBN 9782360571581.
  15. ^ Mémoires de la Société d’Ethnographie, Volume 12. Société d’Ethnographie. 1874. p. 235.
  16. ^ a b Catalogue illustré du Salon, 1882. Baschet. 1882. p. xxxiii.
  17. ^ Genève, Pierre (1992). “MARIE JEAN LÉON D’HERVEY Marquis de Saint-Denys”. science-et-magie.com. Retrieved 9 October 2025.
  18. ^ Darmsteter, James (1884). “RAPPORT ANNUEL FAlT À LA SOCIÉTÉ ASIATIQUE, DANS LA SÉANCE DU 27 JUIN 1884” (PDF). tpsalomonreinach.mom.fr. p. 155. Retrieved 9 October 2025.
  19. ^ a b https://books.google.com/books?id=NtlVanMmcNsC&pg=PA82
  20. ^ Henri Cordier (1892). Necrologie: Le Marquis d’Hervey Saint Denys . T’oung Pao- International Journal of Chinese Studies. Vol. 3 No. 5, pag. 517-520. Publisher E.J. Brill/Leiden/The Netherlands.
  21. ^ Alexandre Bertrand (1892). Annonce du décès de M. le marquis Léon d’Hervey de Saint-Denys, membre de l’Académie.(Transl.: Announcement of the death of Marquis d’Hervey de Saint-Denys, member of the Academie). Comptes rendus des séances de l’Académie des Inscriptions et Belles-Lettres, Vol. 36, Issue 6, page 377.
  22. ^ Alexandre Bertrand (1892).Paroles prononcées par le Président de l’Académie à l’occasion de la mort de M. le marquis d’Hervey-Saint-Denys. Comptes rendus des séances de l’Académie des Inscriptions et Belles-Lettres, Vol. 36, Issue 6, pages 392-397.
  23. ^ https://dn790006.ca.archive.org/0/items/explicationdesou1879soci/explicationdesou1879soci.pdf
  24. ^ http://passerellesdutemps.free.fr/edition_numerique/echantillon_pdf/arts/catalogues_illustres-des_salons_de_Paris_1879_1907.pdf
  25. ^ https://books.google.com/books?id=cpIZAAAAYAAJ&pg=PP39

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