| director = [[John Guillermin]]
| director = [[John Guillermin]]
| screenplay = [[Wolf Mankowitz]]
| screenplay = [[Wolf Mankowitz]]
| writer = [[Jean Anouilh]] (play)
| writer =
| starring = [[Peter Sellers]]
| = [[ ]]
| starring = [[Peter Sellers]]<br>[[Dany Robin]]<br>[[John Fraser (actor)|John Fraser]]<br>[[Cyril Cusack]]<br>[[Margaret Leighton]]
| music = [[Richard Addinsell]]
| music = [[Richard Addinsell]]
| cinematography = [[John Wilcox (cinematographer)|John Wilcox]]
| cinematography = [[John Wilcox (cinematographer)|John Wilcox]]
| gross =
| gross =
}}
}}
””’Waltz of the Toreadors””’ (also known as ””’The Amorous General””'<ref>{{Cite news|last=Banks|first=Dick|date=1965-01-26|title=”Amorous General” Has a Lot of Sellers in It|page=3B|work=[[The Charlotte Observer]]}}</ref>) is a 1962 film directed by [[John Guillermin]] and starring [[Peter Sellers]] and [[Dany Robin]].<ref name=”BFIsearch”>{{Cite web |title=Waltz of the Toreadors |url=https://collections-search.bfi.org.uk/web/Details/ChoiceFilmWorks/150050649 |access-date=19 August 2024 |website=British Film Institute Collections Search}}</ref> It was based on the [[The Waltz of the Toreadors|play of the same name]] by [[Jean Anouilh]] with the location changed from France to England.<ref>{{cite web|url=http://www.bfi.org.uk/films-tv-people/4ce2b6ba30dc9|archive-url=https://web.archive.org/web/20170219000053/http://www.bfi.org.uk/films-tv-people/4ce2b6ba30dc9|url-status=dead|archive-date=February 19, 2017|title=Waltz of the Toreadors (1962)}}</ref><ref>{{cite web|url=https://www.tcm.com/this-month/article/245828|title=Waltz of the Toreadors|website=Turner Classic Movies}}</ref><ref>{{cite web|url=https://www.allmovie.com/movie/waltz-of-the-toreadors-v53266/cast-crew|title=Waltz of the Toreadors (1962) – John Guillermin – Cast and Crew – AllMovie|website=AllMovie}}</ref> It was nominated for a [[BAFTA Award]] for Best British Screenplay, in 1963.<ref>{{cite web|url=http://awards.bafta.org/award/1963/film/british-screenplay|title=BAFTA Awards|website=awards.bafta.org}}</ref>
””’Waltz of the Toreadors””’ (also known as ””’The Amorous General””'<ref>{{Cite news|last=Banks|first=Dick|date=1965-01-26|title=”Amorous General” Has a Lot of Sellers in It|page=3B|work=[[The Charlotte Observer]]}}</ref>) is a 1962 film directed by [[John Guillermin]] and starring [[Peter Sellers]] and [[Dany Robin]].<ref name=”BFIsearch”>{{Cite web |title=Waltz of the Toreadors |url=https://collections-search.bfi.org.uk/web/Details/ChoiceFilmWorks/150050649 |access-date=19 August 2024 |website=British Film Institute Collections Search}}</ref> It was based on the [[The Waltz of the Toreadors|play of the same name]] by [[Jean Anouilh]] with the location changed from France to England.<ref>{{cite web|url=http://www.bfi.org.uk/films-tv-people/4ce2b6ba30dc9|archive-url=https://web.archive.org/web/20170219000053/http://www.bfi.org.uk/films-tv-people/4ce2b6ba30dc9|url-status=dead|archive-date=February 19, 2017|title=Waltz of the Toreadors (1962)}}</ref><ref>{{cite web|url=https://www.tcm.com/this-month/article/245828|title=Waltz of the Toreadors|website=Turner Classic Movies}}</ref><ref>{{cite web|url=https://www.allmovie.com/movie/waltz-of-the-toreadors-v53266/cast-crew|title=Waltz of the Toreadors (1962) – John Guillermin – Cast and Crew – AllMovie|website=AllMovie}}</ref> It was nominated for a [[BAFTA Award for Best British Screenplay in 1963.<ref>{{cite web|url=http://awards.bafta.org/award/1963/film/british-screenplay|title=BAFTA Awards|website=awards.bafta.org}}</ref>
The film had its World Premiere on 12 April 1962 at the [[Odeon Leicester Square]] in London’s West End.<ref>”[[The Times]]”, online archive 12 April 1962, page 2 {{subscription required|date=March 2015}}</ref>
The film had its World Premiere on 12 April 1962 at the [[Odeon Leicester Square]] in London’s West End.<ref>”[[The Times]]”, online archive 12 April 1962, page 2 {{subscription required|date=March 2015}}</ref>
Guillermin later said “it was about the irony of old age and had a light touch”.<ref>FILM CLIPS: Life on the Nile With Guillermin
Lee, Grant. Los Angeles Times 20 Sep 1978: f14.</ref>
Lee, Grant. Los Angeles Times 20 Sep 1978: f14.</ref>
==Plot==
==Plot==
This is the end of a glorious military career: General Leo Fitzjohn retires to his [[Sussex]] manor where he will write his memoirs. Unfortunately, his private life is a disaster: a confirmed womanizer, Leo has infuriated his wife Emily, now a shrewish and hypochondriac woman, all the more bitter as she still loves him. The General has two plain-looking daughters he dislikes and an attractive French mistress, Ghislaine, with whom he has had a platonic affair for seventeen years. When Ghislaine resurfaces, determined to complete her love with him and to get rid of Emily, Leo is at a loss what to do...
This is the end of a glorious military career: General Leo Fitzjohn retires to his [[Sussex]] manor where he will write his memoirs. Unfortunately, his private life is a disaster: a confirmed womanizer, Leo has infuriated his wife Emily, now a shrewish and hypochondriac woman, all the more bitter as she still loves him. The General has two plain-looking daughters he dislikes and an attractive French mistress, Ghislaine, with whom he has had a platonic affair for seventeen years. When Ghislaine resurfaces, determined to complete her love with him and to get rid of Emily, Leo is at a loss what to do.
==Cast==
==Cast==
*[[Denise Coffey]] as Sidonia Fitzjohn
*[[Denise Coffey]] as Sidonia Fitzjohn
*[[Jean Anderson]] as Agnes
*[[Jean Anderson]] as Agnes
*[[Raymond Huntley]] as Ackroyd, Court President
*[[Raymond Huntley]] as Ackroyd
*[[Cardew Robinson]] as Midgley the undertaker
*[[Cardew Robinson]] as Midgley
*[[John Glyn-Jones]] as Jenkins the innkeeper
*[[John Glyn-Jones]] as Jenkins
*[[Catherine Feller]] as Rosemary the maid
*[[Catherine Feller]] as Rosemary
*[[John Le Mesurier]] as Reverend Grimsley
*[[John Le Mesurier]] as Reverend Grimsley
*[[Vanda Godsell]] as Mrs. Emma Bulstrode, dress shop proprietor
*[[Vanda Godsell]] as Mrs. Emma Bulstrode
}}
}}
==Production==
==Production==
The play had been a success on the London stage in 1957 in a production featuring Ralph Richardson and Margaret Leighton. Julian Wintle and Leslie Parkyn acquired the screen rights for their company, Independent Artists.
The play had been a success on the London stage in 1957 in a production featuring Ralph Richardson and Margaret Leighton. Julian Wintle and Leslie Parkyn acquired the screen rights for their company, Independent Artists.
In February 1961 it was announced Peter Sellers would star in an adaptation of the play from a script by Wolf Mankowitz. Sellers was much in demand at the time, having completed ”[[Lolita (1962 film)|Lolita]]” (1962) and [[Mr. Topaze|”Mr Topaze”]] (1961).<ref>BY WAY OF REPORT: State’s Next Tenants — Peter Sellers’ Slate
In February 1961 it was announced Peter Sellers would star in an adaptation of the play from a script by Wolf Mankowitz. Sellers was much in demand at the time, having completed ”[[Lolita (1962 film)|Lolita]]” (1962) and [[Mr. Topaze|”Mr Topaze”]] (1961).<ref>BY WAY OF REPORT: State’s Next Tenants — Peter Sellers’ Slate
By A.H. WEILER. New York Times 12 Feb 1961: X7.</ref> John Guillermin, who eventually directed, had made ”[[Never Let Go (1960 film)|Never Let Go]]” (1960) with Sellers for Independent Artists. The director says Mankowitz wrote the script in two weeks.<ref>Sikov p 171</ref> Finance came from the Rank Organisation.<ref>{{cite magazine|magazine=Filmink|url=https://www.filmink.com.au/forgotten-british-film-studios-the-rank-organisation-1962/|first=Stephen|last=Vagg|title=Forgotten British Film Studios: The Rank Organisation, 1962|date=20 July 2025|access-date=20 July 2025}}</ref>
By A.H. WEILER. New York Times 12 Feb 1961: X7.</ref> John Guillermin, who eventually directed, had made ”[[Never Let Go (1960 film)|Never Let Go]]” (1960) with Sellers for Independent Artists. The director says Mankowitz wrote the script in two weeks.<ref>Sikov p 171</ref> Finance came from Rank Organisation.<ref>{{cite magazine|magazine=Filmink|url=https://www.filmink.com.au/forgotten-british-film-studios-the-rank-organisation-1962/|first=Stephen|last=Vagg|title=Forgotten British Film Studios: The Rank Organisation, 1962|date=20 July 2025|access-date=20 July 2025}}</ref>
[[Maria Schell]] was to be Sellers’ co star.<ref>Entertainment: Peter Sellers Lights Filmland Marquees Benny Concertizes in Texas With Dallas Symphony, Yet!
The film was presold to America’s Continental Releasing, which was unusual for British independent movies.<ref>BRITAIN’S SCREEN SCENE
The film was presold to America’s Continental Releasing, which was unusual for British independent movies.<ref>BRITAIN’S SCREEN SCENE
By STEPHEN WATTS. New York Times 5 Nov 1961: X7.</ref>
==Reception==
==Reception==
===Critical===
===Critical===
”[[The Monthly Film Bulletin]]” wrote: “Anouilh’s plays, with their effortless theatricality, their bittersweet transitions and endless playing off of innocence against experience, demand staging of some subtlety, and at the very least staging which accepts the conventions within which they work. Wolf Mankowitz, as adaptor, and John Guillermin, as director, have walked in hob-nailed boots over this one, making it part pseudo-Gallic romp (moustachioed general let loose among the girls), part charade (general and doctor fight a duel with sword and umbrella), and leaving the actors to struggle through the serious scenes. Margaret Leighton, bicycling madly towards the railway track in nightdress and jockey cap, to be told by the porter that there is no train for her to throw herself under today, makes a fine figure. … John Guillermin can move his camera smartly – as in the ballroom scene, a series of moving pans over a dancing image – and bring style to a scene or a moment (the very first appearance of Ghislaine); and his designer has created some pretty sets. Overall, though, ”Waltz of the Toreadors” disastrously lacks taste, discretion and edge. And Peter Sellers, in another clever bit of mimicry, somehow emphasises this by his air of having not much to do with the rest of the cast, of being absorbed in the details of his own impersonation.”<ref>{{Cite journal |date=1 January 1962 |title=Waltz of the Toreadors |url=https://www.proquest.com/docview/1305823897 |journal=[[The Monthly Film Bulletin]] |volume=29 |issue=336 |pages=65 |id={{ProQuest|1305823897}} }}</ref>
”[[The Monthly Film Bulletin]]” wrote: “Anouilh’s plays, with their effortless theatricality, their bittersweet transitions and endless playing off of innocence against experience, demand staging of some subtlety, and at the very least staging which accepts the conventions within which they work. Wolf Mankowitz, as adaptor, and John Guillermin, as director, have walked in hob-nailed boots over this one, making it part pseudo-Gallic romp (moustachioed general let loose among the girls), part charade (general and doctor fight a duel with sword and umbrella), and leaving the actors to struggle through the serious scenes. Margaret Leighton, bicycling madly towards the railway track in nightdress and jockey cap, to be told by the porter that there is no train for her to throw herself under today, makes a fine figure. … John Guillermin can move his camera smartly – as in the ballroom scene, a series of moving pans over a dancing image – and bring style to a scene or a moment (the very first appearance of Ghislaine); and his designer has created some pretty sets. Overall, though, ”Waltz of the Toreadors” disastrously lacks taste, discretion and edge. And Peter Sellers, in another clever bit of mimicry, somehow emphasises this by his air of having not much to do with the rest of the cast, of being absorbed in the details of his own impersonation.”<ref>{{Cite journal |date=1 January 1962 |title=Waltz of the Toreadors |url=https://www.proquest.com/docview/1305823897 |journal=[[The Monthly Film Bulletin]] |volume=29 |issue=336 |pages=65 |id={{ProQuest|1305823897}} }}</ref>
In ”[[The New York Times]]”, [[Bosley Crowther]] wrote, “Mr. Sellers, still in his thirties, plays the comically stiff and paunchy role of a retired British Army general with a still-eager eye for the girls, and he does it with detail so deft and devilish that he adds another jewel to his crown.”<ref>{{Cite news|url=https://www.nytimes.com/movie/review?res=9907E0DD143BE53BBC4C52DFBE668389679EDE|title = Movie Reviews|newspaper = The New York Times|date = 3 November 2021}}</ref>
In ”[[The New York Times]]”, [[Bosley Crowther]] wrote, “Mr. Sellers, still in his thirties, plays the comically stiff and paunchy role of a retired British Army general with a still-eager eye for the girls, and he does it with detail so deft and devilish that he adds another jewel to his crown.”<ref>{{Cite news|url=https://www.nytimes.com/movie/review?res=9907E0DD143BE53BBC4C52DFBE668389679EDE|title = Movie Reviews|newspaper = The New York Times|date = 3 November 2021}}</ref>
”[[FilmInk|Filmink]]” said “I don’t think comedy was Guillermin’s strong suit”.<ref name=”ink”>{{cite magazine|magazine=Filmink|first=Stephen|last=Vagg|title=John Guillermin: Action Man|url=https://www.filmink.com.au/john-guillermin-action-man/|date=17 November 2020}}</ref>
”[[FilmInk]]” said “I don’t think comedy was Guillermin’s strong suit”.<ref name=”ink”>{{cite magazine|magazine=Filmink|first=Stephen|last=Vagg|title=John Guillermin: Action Man|url=https://www.filmink.com.au/john-guillermin-action-man/|date=17 November 2020}}</ref>
==References==
==References==
1962 British film
Waltz of the Toreadors (also known as The Amorous General[2]) is a 1962 film directed by John Guillermin and starring Peter Sellers and Dany Robin.[3] It was based on the play of the same name by Jean Anouilh with the location changed from France to England.[4][5][6] It was nominated for a BAFTA Award for Best British Screenplay at the 16th British Academy Film Awards in 1963.[7]
The film had its World Premiere on 12 April 1962 at the Odeon Leicester Square in London‘s West End.[8] Guillermin later said “it was about the irony of old age and had a light touch”.[9]
This is the end of a glorious military career: General Leo Fitzjohn retires to his Sussex manor where he will write his memoirs. Unfortunately, his private life is a disaster: a confirmed womanizer, Leo has infuriated his wife Emily, now a shrewish and hypochondriac woman, all the more bitter as she still loves him. The General has two plain-looking daughters, Estella and Sidonia, he dislikes and an attractive French mistress, Ghislaine, with whom he has had a platonic affair for seventeen years. When Ghislaine resurfaces, determined to complete her love with him and to get rid of Emily, Leo is at a loss what to do.
The play The Waltz of the Toreadors had been a success on the London stage in 1957 in a production featuring Ralph Richardson and Margaret Leighton. Julian Wintle and Leslie Parkyn acquired the screen rights for their company, Independent Artists.
In February 1961, it was announced Peter Sellers would star in an adaptation of the play from a script by Wolf Mankowitz. Sellers was much in demand at the time, having completed Lolita (1962) and Mr Topaze (1961).[10] John Guillermin, who eventually directed, had made Never Let Go (1960) with Sellers for Independent Artists. The director says Mankowitz wrote the script in two weeks.[11] Finance came from The Rank Organisation.[12] Maria Schell was to be Sellers’ co star.[13] She was replaced by Dany Robin.
The film was presold to America’s Continental Releasing, which was unusual for British independent movies.[14] Filming took place at Pinewood Studios in September 1961. Guillermin later claimed “the film was fucked up by the producers. They wanted to make a slapstick comedy.” He says he was “thrown off the editing of the film” and in particular claims the producers ruined a ten minute scene of General Leo Fitzjohn (Sellers) and Emily Fitzjohn (Leighton) which was taken directly from the play, and was filmed in one long take; Guillermin says this was intercut with a scene of Ghislaine (Robin) and Lieutenant Robert Finch (John Fraser). “It totally took the heart out of the film.”[15]
The film was the 11th most popular movie at the British box office in 1962.[16][17]
The Monthly Film Bulletin wrote: “Anouilh‘s plays, with their effortless theatricality, their bittersweet transitions and endless playing off of innocence against experience, demand staging of some subtlety, and at the very least staging which accepts the conventions within which they work. Wolf Mankowitz, as adaptor, and John Guillermin, as director, have walked in hob-nailed boots over this one, making it part pseudo-Gallic romp (moustachioed general let loose among the girls), part charade (general and doctor fight a duel with sword and umbrella), and leaving the actors to struggle through the serious scenes. Margaret Leighton, bicycling madly towards the railway track in nightdress and jockey cap, to be told by the porter that there is no train for her to throw herself under today, makes a fine figure. … John Guillermin can move his camera smartly – as in the ballroom scene, a series of moving pans over a dancing image – and bring style to a scene or a moment (the very first appearance of Ghislaine); and his designer has created some pretty sets. Overall, though, Waltz of the Toreadors disastrously lacks taste, discretion and edge. And Peter Sellers, in another clever bit of mimicry, somehow emphasises this by his air of having not much to do with the rest of the cast, of being absorbed in the details of his own impersonation.”[18]
In The New York Times, Bosley Crowther wrote, “Mr. Sellers, still in his thirties, plays the comically stiff and paunchy role of a retired British Army general with a still-eager eye for the girls, and he does it with detail so deft and devilish that he adds another jewel to his crown.”[19]
FilmInk said “I don’t think comedy was Guillermin’s strong suit”.[20]
- ^ “My table at the Savoy”. The Sunday People. 18 February 1962. p. 9.
- ^ Banks, Dick (1965-01-26). “‘Amorous General’ Has a Lot of Sellers in It”. The Charlotte Observer. p. 3B.
- ^ “Waltz of the Toreadors”. British Film Institute Collections Search. Retrieved 19 August 2024.
- ^ “Waltz of the Toreadors (1962)”. Archived from the original on February 19, 2017.
- ^ “Waltz of the Toreadors”. Turner Classic Movies.
- ^ “Waltz of the Toreadors (1962) – John Guillermin – Cast and Crew – AllMovie”. AllMovie.
- ^ “BAFTA Awards”. awards.bafta.org.
- ^ The Times, online archive 12 April 1962, page 2 (subscription required)
- ^ FILM CLIPS: Life on the Nile With Guillermin
Lee, Grant. Los Angeles Times 20 Sep 1978: f14. - ^ BY WAY OF REPORT: State’s Next Tenants — Peter Sellers’ Slate
By A.H. WEILER. New York Times 12 Feb 1961: X7. - ^ Sikov p 171
- ^ Vagg, Stephen (20 July 2025). “Forgotten British Film Studios: The Rank Organisation, 1962”. Filmink. Retrieved 20 July 2025.
- ^ Entertainment: Peter Sellers Lights Filmland Marquees Benny Concertizes in Texas With Dallas Symphony, Yet!
Hopper, Hedda. Los Angeles Times 18 Mar 1961: A6. - ^ BRITAIN’S SCREEN SCENE
By STEPHEN WATTS. New York Times 5 Nov 1961: X7. - ^ Sikov p 172
- ^ “Money-Making Films Of 1962” The Times [London, England] 4 January 1963: 4. The Times Digital Archive. Web. 11 July 2012. (subscription required)
- ^ Billings, Josh (13 December 1962). “Three British Films Head the General Releases”. Kinematograph Weekly. p. 7. Retrieved 7 March 2023.
- ^ “Waltz of the Toreadors”. The Monthly Film Bulletin. 29 (336): 65. 1 January 1962. ProQuest 1305823897.
- ^ “Movie Reviews”. The New York Times. 3 November 2021.
- ^ Vagg, Stephen (17 November 2020). “John Guillermin: Action Man”. Filmink.
- Sikov, Ed (2002). Mr. Strangelove. Hyperion.
