| distributor = [[Twentieth Century-Fox]]
| distributor = [[Twentieth Century-Fox]]
| runtime = 96 minutes
| runtime = 96 minutes
| released = {{Film date|1951|1|31|New York City}}
| released = {{Film date|1951|1|31|New York }}
| language = English
| language = English
| gross = $2,175,000 (US rentals)<ref>’The Top Box Office Hits of 1951′, ”Variety”, January 2, 1952</ref><ref>[https://books.google.com/books?id=WIZwZOz8LHsC&dq=aubrey+solomon+20th+century+fox&pg=PA212 Aubrey Solomon, ”Twentieth Century-Fox: A Corporate and Financial History” Rowman & Littlefield, 2002 p 223]</ref>
| gross = $2,175,000 (US rentals)<ref>’The Top Box Office Hits of 1951′, ”Variety”, January 2, 1952</ref><ref>[https://books.google.com/books?id=WIZwZOz8LHsC&dq=aubrey+solomon+20th+century+fox&pg=PA212 Aubrey Solomon, ”Twentieth Century-Fox: A Corporate and Financial History” Rowman & Littlefield, 2002 p 223]</ref>
** Lyrics by Mack Gordon
** Lyrics by Mack Gordon
** Performed by Betty Grable, Dan Dailey, Benay Venuta, and Danny Thomas
** Performed by Betty Grable, Dan Dailey, Benay Venuta, and Danny Thomas
== Reception ==
In a contemporary review for [[The New York Times|”The New York Times”]], critic [[Bosley Crowther]] called ”Call Me Mister” “a ragtag-and-bobtail show” and wrote: “[T]he simple fact is that ‘Call Me Mister’ as presented on the screen in a plush Technicolor production by Twentieth Century-Fox is but a faint reminder of .the original stage revue and is mainly a very frank reminder of the sexiness of Miss G. As an Army-employed entertainer in Japan right after the war, engaged—as it seems, incidentally—in putting on a soldier revue, she is flung in your face on most occasions in a variety of revealing costumes via a plot which has her backing and filling with rather elemental urges toward an estranged spouse.<ref name=”nytreview”>{{cite news |last=Crowther|first=Bosley|date=1951-02-01|title=The Screen in Review|work=[[The New York Times]]|page=21}}</ref>
==References==
==References==
1951 film by Lloyd Bacon
Call Me Mister is a 1951 American Technicolor musical film directed by Lloyd Bacon and starring Betty Grable, Dan Dailey, Danny Thomas, Dale Robertson, Benay Venuta and Richard Boone. The film is based on the 1946 Broadway stage play by Albert E. Lewin and Burt Styler. with music by Harold Rome that featured cast members from the American armed forces. However, only three of Rome’s numbers are heard in the film.[4]
In the aftermath of World War II, American soldiers stationed in occupied Japan desire entertainment. They are treated to a show organized by Sergeant Shep Dooley and his former wife, the talented entertainer Kay Hudson. The show is filled with music, dance and comedy, providing a much-needed respite from the challenges of postwar life. As the soldiers enjoy the show, Kay and Shep’s on-stage chemistry begins to rekindle old feelings.
The film marks Betty Grable’s final pairing with Dan Dailey, with whom she had costarred in several films. It also includes the first credited role for future film star Jeffrey Hunter.[5]
- Call Me Mister
- Written by Harold Rome
- Performed by chorus during credits
- Reprised by Betty Grable and Dan Dailey
- Japanese Girl Like ‘Merican Boy
- I’m Gonna Love That Guy Like He’s Never Been Loved Before
- Written by Frances Ash
- Performed by Betty Grable and male chorus
- Lament to the Pots and Pans
- Written by Earl K. Brent
- Lyrics by Jerry Seelen
- Performed by Danny Thomas
- Goin’ Home Train
- Written by Harold Rome
- Performed by Bobby Short and male chorus
- I Just Can’t Do Enough for You, Baby
- Written by Sammy Fain
- Lyrics by Mack Gordon
- Performed by Betty Grable and Dan Dailey
- Military Life
- Written by Harold Rome
- Revised lyrics by Jerry Seelen
- Performed by Danny Thomas
- Love Is Back in Business
- Written by Sammy Fain
- Lyrics by Mack Gordon
- Performed by Betty Grable, Dan Dailey, Benay Venuta, and Danny Thomas
In a contemporary review for The New York Times, critic Bosley Crowther called Call Me Mister “a ragtag-and-bobtail show” and wrote: “[T]he simple fact is that ‘Call Me Mister’ as presented on the screen in a plush Technicolor production by Twentieth Century-Fox is but a faint reminder of .the original stage revue and is mainly a very frank reminder of the sexiness of Miss G. As an Army-employed entertainer in Japan right after the war, engaged—as it seems, incidentally—in putting on a soldier revue, she is flung in your face on most occasions in a variety of revealing costumes via a plot which has her backing and filling with rather elemental urges toward an estranged spouse.[1]
