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Fauzan Omar is a [[Kelantan|Kelantanese-born]] modern and [[Contemporary art|contemporary artist]] based in [[Penang]]<ref>{{Cite web |last=Ling |first=Clara |date=Feb 28,2022 |title=AOTM: The Battlefield by Fauzan Omar |url=https://penangartdistrict.com/aotm-the-battlefield-by-fauzan-omar/ |access-date= |website=Penang Art District}}</ref>who primarily works in [[painting]]. He is part of the[[Malaysia|malaysian]] visual arts scene. |
Fauzan Omar is a [[Kelantan|Kelantanese-born]] modern and [[Contemporary art|contemporary artist]] based in [[Penang]]<ref>{{Cite web |last=Ling |first=Clara |date=Feb 28,2022 |title=AOTM: The Battlefield by Fauzan Omar |url=https://penangartdistrict.com/aotm-the-battlefield-by-fauzan-omar/ |access-date= |website=Penang Art District}}</ref>who primarily works in [[painting]]. He is part of the[[Malaysia|malaysian]] visual arts scene. |
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Fauzan has represented Malaysia in several regional and international exhibitions since 1980 and is well known for his iconic “Layer Series”. His finest moments include winning the First Prize/Major Award in Abstract Painting in
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| birth_date = 1951 |
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| birth_place = Kelantan |
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| known_for = Painting |
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| notable_works = Layers |
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Fauzan has represented Malaysia in several regional and international exhibitions since 1980 and is well known for his iconic “Layer Series”. His finest moments include winning the First Prize/Major Award in Abstract Painting in Permodalan Nasional Berhad Art Competition in 1985, the First Prize/Major Award in Malaysian Scenes Art Competition and the Major Award of Philip Morris Art Competition by the National Art Gallery in 1989 and 1995 respectively, as well as receiving the Australian Cultural Award (International Cultural Relations Department of Foreign Affairs and Trade) in 1995.
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His work is described as post-formalist<ref>{{Cite book |last=Shahir |first=Safrizal |title=Hazardous Beauty |date=2017 |publisher=Studio Mudik ke Hulur, Fauzan Omar |year=2017 |isbn=9789671532607 |edition=1 |location=Malaysia |publication-date=2017 |pages=28}}</ref>and employs use of different mediums. |
His work is described as post-formalist<ref>{{Cite book |last=Shahir |first=Safrizal |title=Hazardous Beauty |date=2017 |publisher=Studio Mudik ke Hulur, Fauzan Omar |year=2017 |isbn=9789671532607 |edition=1 |location=Malaysia |publication-date=2017 |pages=28}}</ref>and employs use of different mediums. |
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Revision as of 03:45, 26 January 2026
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Fauzan Omar is a Kelantanese-born modern and contemporary artist based in Penang[1]who primarily works in painting. He is part of themalaysian visual arts scene.
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Fauzan Omar |
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|---|---|
| Born | 1951 (age 74–75)
Kelantan |
| Known for | Painting |
| Notable work | Layers |
Fauzan has represented Malaysia in several regional and international exhibitions since 1980 and is well known for his iconic “Layer Series”. His finest moments include winning the First Prize/Major Award in Abstract Painting in Permodalan Nasional Berhad Art Competition in 1985, the First Prize/Major Award in Malaysian Scenes Art Competition and the Major Award of Philip Morris Art Competition by the National Art Gallery in 1989 and 1995 respectively, as well as receiving the Australian Cultural Award (International Cultural Relations Department of Foreign Affairs and Trade) in 1995.
His work is described as post-formalist[2]and employs use of different mediums.
Education
Fauzan received his Master in Fine Art (Paintings) from the Maryland College Institute of Art, Baltimore, Maryland, United States in 1984. Prior to that, he has obtained a diploma in art teaching (ATD) from Institut Teknologi MARA (now UiTM), Shah Alam, Selangor, Malaysia in 1974.[3]
| 1984 | Master Of Fine Arts | Maryland Institute College Of Arts United States of America |
| 1974 | Diploma In Teaching Arts | Universiti Teknologi Mara Malaysia |
| 1972 | Diploma In Art And Design | Universiti Teknologi Mara Malaysia |
Art
Omar has expressed concern about environmental and social issues through his art, such as through the Hazardous Beauty series which explores the environmental impact of haze. His works re-interpret the issues of forest fires, haze, and overdevelopment by depicting the resilience of people who were tested under such tragic and harsh living conditions. He also uses the collage technique in search of the meaning of materiality as well as the intertwining relations between natural beings and human creation.
References
