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[[Image:C-54landingattemplehof.jpg|thumb|Berliners watching a C-54 land at Tempelhof Airport (1948)]] |
[[Image:C-54landingattemplehof.jpg|thumb|Berliners watching a C-54 land at Tempelhof Airport (1948)]] |
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Ries was born in [[Berlin]] and grew up in [[Germany]], but sensed the impending doom of [[Hitler]]’s political style and, as a [[Jew]], emigrated to the United States in 1937. |
Ries was born in [[Berlin]] and grew up in [[Germany]], but sensed the impending doom of [[Hitler]]’s political style and, as a [[Jew]], emigrated to the United States in 1937. to the [[Third Reich]] his papers. Ries was permitted to enter America in January 1938, having crossed the Atlantic twice to do so.<ref>{{Cite web |url=http://galerie36berlin.com/ries-henry/ |title=Ries, Henry – Galerie 36 |access-date=2018-10-18 |archive-url=https://web.archive.org/web/20190511070555/http://galerie36berlin.com/ries-henry/ |archive-date=2019-05-11 |url-status=dead }}</ref> |
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When America entered [[World War II]], Ries immediately joined the army and |
When America entered [[World War II]], Ries immediately joined the army and in [[]], humorously pointing out that he served due to his “good German” skills. After the war, in August 1945, Ries, still a soldier, returned to Berlin. He soon resigned from the army in order to work for the OMGUS Observer as a photojournalist. Two years later, he begin to work for ”[[The New York Times]]” as a European photographer, photographing many of the scenes of destroyed [[post-war]] Germany the Berlin which have become iconic images. In 1951, Ries returned to the US and eventually turned to commercial photography. In 1955, he opened his own studio in [[Manhattan]]. |
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to Berlin in 1945, city . In his book, ”Abschied meiner Generation”, he said, “Seeing all this devastation and desperation, confronted with hunger and fear, cripples and black-marketers – and with no Nazi in sight anywhere – I realized how fundamentally the seven years between emigration and occupation had changed Germany’s exterior and my own interior.” |
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During his time with the ”Times”, he met and photographed the famous and the infamous, such as artists [[Pablo Picasso]] and [[Pablo Casals]], as well as Spanish [[General]] [[Francisco Franco]]. |
During his time with the ”Times”, he met and photographed the famous and the infamous, such as artists [[Pablo Picasso]] and [[Pablo Casals]], as well as Spanish [[General]] [[Francisco Franco]]. |
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Revision as of 21:51, 29 November 2025
American photographer
Henry Ries (September 22, 1917 – May 24, 2004)[1] was a photographer who worked for New York Times. His most famous photo was of “The Berlin Air Lift” which was later made into a U.S. Postage Stamp commemorative.
Ries was born in Berlin and grew up in Germany, but sensed the impending doom of Hitler‘s political style and, as a Jew, emigrated to the United States in 1937. He eventually returned to the Third Reich in order to renew his papers. Ries was permitted to enter America in January 1938, after acquiring correct papers in Cuba, having crossed the Atlantic twice to do so.[2] [3]
When America entered World War II, Ries immediately joined the army and served in India with an aerial reconnaissance unit, humorously pointing out that he served there due to his “good German” skills. After the war, in August 1945, Ries, still a soldier, returned to Berlin. He soon resigned from the army in order to work for the OMGUS Observer as a photojournalist. Two years later, he begin to work for The New York Times as a European photographer, photographing many of the scenes of destroyed post-war Germany and the Berlin Airlift, which have become iconic images. In 1951, Ries returned to the US and eventually turned to commercial photography. In 1955, he opened his own studio in Manhattan.
He wrote of his return to Berlin in 1945, that ‘I realized that I too had once been a citizen of this city and had witnessed the beginning of the disaster before I was “denationalized” … It was not easy for me to remain an observer rather than a judge.’.[4] In his book, Abschied meiner Generation, he said, “Seeing all this devastation and desperation, confronted with hunger and fear, cripples and black-marketers – and with no Nazi in sight anywhere – I realized how fundamentally the seven years between emigration and occupation had changed Germany’s exterior and my own interior.”
During his time with the Times, he met and photographed the famous and the infamous, such as artists Pablo Picasso and Pablo Casals, as well as Spanish General Francisco Franco.
In 2003 he was awarded Germany’s Officer Cross of the Order of Merit, the highest award for citizens of other countries.
References
External links
- [1] A gallery of photos by Henry Ries of the Berlin Blockade at the German History Museum
