Louise Ward: Difference between revisions

From Wikipedia, the free encyclopedia

Content deleted Content added


 

Line 38: Line 38:

In Paris, Ward became a society belle (”mondaine”)<ref name=”grandes dames”/><ref name=”Britannique”>{{cite book |title=Revue Britannique: Choix d’articles traduits des meilleurs écrits périodiques de la Grande-Bretagne. 1886, ”Volume 1886, Issue 3” |date=1886 |publisher=Revue Britannique |page=82 |url=https://books.google.com/books?id=NtlVanMmcNsC&pg=PA82}}</ref> and a grande dame,<ref name=”grandes dames”/> and was known as a great beauty.<ref name=”Britannique”/><ref name=”Truth”/><ref name=”Correspondant”>{{cite book |title=Le Correspondant, ”Volume 111” |date=1878 |publisher=[[Le Correspondant]] |page=803 |url=https://books.google.com/books?id=G9TOAAAAMAAJ&pg=PA803}}</ref><ref name=”grandes dames”/> [[Marcel Proust]] based at least one princess on her in his multi-volume novel series ”[[In Search of Lost Time]]”.<ref>{{cite book |last1=Mension-Rigau |first1=Eric |title=L’ami du prince: Journal inédit d’Alfred de Gramont (1892-1915) |date=2011 |publisher=[[Fayard]] |isbn=9782213665023 |url=https://books.google.com/books?id=9W-PBgAAQBAJ&pg=PT48}}</ref><ref>{{cite book |last1=Yu |first1=Pauline |editor1-last=Kroll |editor1-first=Paul W. |title=Reading Medieval Chinese Poetry: Text, Context, and Culture |date=2014 |publisher=[[Brill Publishing]] |isbn=9789004282063 |page=257 |url=https://books.google.com/books?id=NyieBQAAQBAJ&pg=PA257 |chapter=Judith Gautier and the Invention of Chineze Poetry}}</ref><ref name=”siecle”/>

In Paris, Ward became a society belle (”mondaine”)<ref name=”grandes dames”/><ref name=”Britannique”>{{cite book |title=Revue Britannique: Choix d’articles traduits des meilleurs écrits périodiques de la Grande-Bretagne. 1886, ”Volume 1886, Issue 3” |date=1886 |publisher=Revue Britannique |page=82 |url=https://books.google.com/books?id=NtlVanMmcNsC&pg=PA82}}</ref> and a grande dame,<ref name=”grandes dames”/> and was known as a great beauty.<ref name=”Britannique”/><ref name=”Truth”/><ref name=”Correspondant”>{{cite book |title=Le Correspondant, ”Volume 111” |date=1878 |publisher=[[Le Correspondant]] |page=803 |url=https://books.google.com/books?id=G9TOAAAAMAAJ&pg=PA803}}</ref><ref name=”grandes dames”/> [[Marcel Proust]] based at least one princess on her in his multi-volume novel series ”[[In Search of Lost Time]]”.<ref>{{cite book |last1=Mension-Rigau |first1=Eric |title=L’ami du prince: Journal inédit d’Alfred de Gramont (1892-1915) |date=2011 |publisher=[[Fayard]] |isbn=9782213665023 |url=https://books.google.com/books?id=9W-PBgAAQBAJ&pg=PT48}}</ref><ref>{{cite book |last1=Yu |first1=Pauline |editor1-last=Kroll |editor1-first=Paul W. |title=Reading Medieval Chinese Poetry: Text, Context, and Culture |date=2014 |publisher=[[Brill Publishing]] |isbn=9789004282063 |page=257 |url=https://books.google.com/books?id=NyieBQAAQBAJ&pg=PA257 |chapter=Judith Gautier and the Invention of Chineze Poetry}}</ref><ref name=”siecle”/>

Ward’s great benefactor in France was the Duchesse de Luynes<ref name=”newspapers.com”>{{cite news |title=Another Duke Coming |url=https://www.newspapers.com/image-view/960332895/?terms=Waru&match=1 |access-date=29 November 2025 |work=[[The Waco Times-Herald]] |date=30 August 1902 |page=1}}</ref><ref name=”grandes dames”/> (1849–1905), also known as Yolande de La Rochefoucauld<ref>https://www.wikidata.org/wiki/Q76275227</ref> or Yolande Dalbert.<ref name=”grandes dames”/> The duchess was also a painter and a fellow student at the studio of [[Pierre Auguste Cot]], where they met.<ref name=”grandes dames”/> The two became lifelong friends and companions.<ref name=”newspapers.com”/><ref name=”secret”/><ref name=”l’église de Saint-Forget”/>

Ward’s great benefactor in France was the Duchesse de Luynes<ref name=”newspapers.com”>{{cite news |title=Another Duke Coming |url=https://www.newspapers.com/image-view/960332895/?terms=Waru&match=1 |access-date=29 November 2025 |work=[[The Waco Times-Herald]] |date=30 August 1902 |page=1}}</ref><ref name=”grandes dames”/> (1849–1905), also known as Yolande de La Rochefoucauld<ref>https://www.wikidata.org/wiki/Q76275227</ref> or Yolande Dalbert.<ref name=”grandes dames”/> The duchess was also a painter and a fellow student at the studio of [[Pierre Auguste Cot]], where they met.<ref name=”grandes dames”/> The two became lifelong friends and companions.<ref name=”newspapers.com”/><ref name=”secret”/><ref name=”l’église de Saint-Forget”/>

[[File:Saint_Forget_Church_Saint-Ferreol_Cemetery_04.jpg|right|thumb|110px| Louise de Waru’s tomb in [[Saint-Forget]]]]

[[File:Saint_Forget_Church_Saint-Ferreol_Cemetery_04.jpg|right|thumb|110px| Louise de Waru’s tomb in [[Saint-Forget]]]]


Latest revision as of 01:08, 29 November 2025

French painter (1849–1930)

Louise Ward

Born (1849-07-09)9 July 1849
Died 11 February 1930(1930-02-11) (aged 80)

Paris, France

Other names
  • Louise Dubréau
  • Louise Dubreau
  • Louise de Ward
  • Marquise d’Hervey de Saint-Denys
  • Marquise d’Hervey de Saint-Denis
  • Louise de Waru
  • Madame de Waru
Occupation Painter
Years active 1875–1899[1]

Louise Ward, sometimes rendered Louise de Ward[2] (9 July 1849 – 11 February 1930),[3] known in the art world by her pseudonym Louise Dubréau or Louise Dubreau, was a French painter and Parisian society belle.

Early life and education

[edit]

Ward was born on 9 July 1849[3] in Parma, Italy,[3][a] where her father had been stationed as chief minister of the Duke of Parma.[5] Burke’s Peerage of 1850 and thereafter indicates that her birth name was Elizabeth Margaret Ward.[6][7][b]

She was an Austrian baroness who was the daughter of Baron Thomas Ward[3][10] and his wife Louise Genthner, a Viennese commoner whom Thomas Ward had married in 1832.[11]

She was educated in a convent school in France.[2][12]

After her marriage to a French marquis in 1868,[3] Ward became an accomplished and successful painter in Paris, studying with Pierre Auguste Cot.[2] She signed her paintings “Louise Dubréau”,[2] sometimes rendered “Louise Dubreau”[3][13][14] or “Louise du Bréau”,[15] after her husband d’Hervey’s estate Château du Bréau near Dourdan[2] in Seine-et-Oise[16][17] in the department of Yvelines.[16]

Two of her best-known paintings are The Old Lodger (1877), which was exhibited at the Salon de 1877[4] and auctioned at Christie’s in 2008;[18] and Printemps (1882), which was exhibited at the Salon de 1882.[19]

Her portrait of Count Friedrich Ferdinand von Beust was widely praised and was exhibited at the Salon de 1883.[20][14]

In 1868, at the age of 18, she married French sinologist Marie-Jean-Léon, Marquis d’Hervey de Saint Denys.[3] Her title became Marquise d’Hervey de Saint-Denys, sometimes rendered Marquise d’Hervey de Saint-Denis.[2] The couple lived in Paris in their mansion at 9 Avenue Bosquet.[21][2][22]

In Paris, Ward became a society belle (mondaine)[2][23] and a grande dame,[2] and was known as a great beauty.[23][13][15][2] Marcel Proust based at least one princess on her in his multi-volume novel series In Search of Lost Time.[24][25][16]

Ward’s great benefactor in France was the Duchesse de Luynes[26][2] (1849–1905), also known as Yolande de La Rochefoucauld[27] or Yolande Dalbert.[2] The duchess was also a painter and a fellow student at the studio of Pierre Auguste Cot, where they met.[2] The two became lifelong friends and companions.[26][28][12]

Louise de Waru’s tomb in Saint-Forget

Her first husband, Hervey de Saint Denys, died in 1892.[29][30][31]

In 1896, Ward remarried, to French aristocrat and Olympic equestrian Jacques de Waru (1865–1911).[3] He was described by contemporaries as “a very militant young royalist”;[32] his family had been close to the French monarchy since its restoration in 1804, and his grandfather, Adolphe, had made a personal fortune in banking and served as a regent of the Banque de France from 1856 to 1871.[33]

Ward died in Paris in February 1930,[34] at the age of 80.[3]

She is buried in a large decorative tomb in the small cemetery of the Romanesque church Saint-Ferréol in Saint-Forget in the department of Yvelines.[28][12]

  • Ne dine jamais en ville [Never dine out] (known in English as The Old Lodger) (1877)[2]
  • Chanteuse des rues [Street Singer] (1878)[4][2][15]
  • Jeanne d’Arc (1879)[2][35]
  • Marchand de marrons [Chestnut Seller] (1880)[36]
  • Printemps (1882)[19]
  1. ^ Some French sources, dating from 1877 or thereafter, state that she was born in Vienna,[4] where her father had been sent in 1849 by the Duke of Parma as minister-plenipotentiary to represent the duchy, and where Emperor Franz Joseph I conferred on him the Austrian title of Baron.[5]
  2. ^ French sources, which all date from her 1896 second marriage and thereafter, give her name as Louise Marguerite Elisabeth Ward.[8][9]
  1. ^ “Dubreau, Louise”. Getty Research Institute. Retrieved 28 November 2025.
  2. ^ a b c d e f g h i j k l m n o p Vento, Claude (1886). “La Marquise d’Hervey de Saint-Denis”. Les grandes dames d’aujourd’hui [The Great Ladies of Today]. Dentu. pp. 359–366.
  3. ^ a b c d e f g h i “Louise Ward”. Geneanet. Retrieved 12 November 2025.
  4. ^ a b c Explication des ouvrages de peinture, sculpture, architecture, gravure, et lithographie des artistes vivants. Salon de 1877. 1878. p. 69.
  5. ^ a b Marquis de Ruvigny, ed. (1909). The Nobilities of Europe (PDF). London: Melville and Company. pp. 168–169.
  6. ^ Genealogical and Heraldic Dictionary of the Peerage and Baronetage of the British Empire, Volume 10; Volume 12. Burke’s Peerage Limited. 1850. p. 1098.
  7. ^ Burke’s Peerage (1858). A Genealogical and Heraldic Dictionary of the Peerage and Baronetage of the British Empire. H. Colburn. p. 1118.
  8. ^ Révérend, Albert, ed. (1897). Annuaire de la Pairle et de la Noblesse de France, des Maisons Souveraines de l’Europe et de la Diplomatie. E. Plon, Noirrit et cie. p. 458.
  9. ^ Révérend, Albert (1904). Titres, Anoblissements et Pairies de la Restauration 1814-1830, Volume 4. Honoré Champion. p. 257.
  10. ^ “mariage act p. 10/31”
  11. ^ Myers, Jesse (1938). Baron Ward and the Dukes of Parma. Longmans, Green & Co. p. 24.
  12. ^ a b c “2/4/16: découverte de l’église de Saint-Forget et du château de Mauvières – Vallée de Chevreuse” [Discovery of the church of Saint-Forget and the castle of Mauvières – Chevreuse Valley]. Nos Randonnées. 20 April 2016. Retrieved 28 November 2025.
  13. ^ a b Truth, Volume 15. Truth. 1884. p. 343.
  14. ^ a b Ribeyre, Félix (1884). Cham: sa vie et son oeuvre. E. Plon, Noirrit et cie. p. 155.
  15. ^ a b c Le Correspondant, Volume 111. Le Correspondant. 1878. p. 803.
  16. ^ a b c Bergère, Marie-Claire (2020). Un siècle d’enseignement du chinois à l’École des langues orientales. L’Asiathèque. ISBN 9782360571581.
  17. ^ Mémoires de la Société d’Ethnographie, Volume 12. Société d’Ethnographie. 1874. p. 235.
  18. ^ “Louise Dubreau (French, 19th century): The Old Lodger”. Christie’s. Retrieved 15 November 2025.
  19. ^ a b Catalogue illustré du Salon, 1882. Baschet. 1882. p. xxxiii.
  20. ^ Revue des deux mondes, Volumes 57-58. Bureau de la Revue des deux mondes. 1883. p. 617.
  21. ^ Genève, Pierre (1992). “MARIE JEAN LÉON D’HERVEY Marquis de Saint-Denys”. science-et-magie.com. Retrieved 9 October 2025.
  22. ^ Darmsteter, James (1884). “RAPPORT ANNUEL FAlT À LA SOCIÉTÉ ASIATIQUE, DANS LA SÉANCE DU 27 JUIN 1884” (PDF). tpsalomonreinach.mom.fr. p. 155. Retrieved 9 October 2025.
  23. ^ a b Revue Britannique: Choix d’articles traduits des meilleurs écrits périodiques de la Grande-Bretagne. 1886, Volume 1886, Issue 3. Revue Britannique. 1886. p. 82.
  24. ^ Mension-Rigau, Eric (2011). L’ami du prince: Journal inédit d’Alfred de Gramont (1892-1915). Fayard. ISBN 9782213665023.
  25. ^ Yu, Pauline (2014). “Judith Gautier and the Invention of Chineze Poetry”. In Kroll, Paul W. (ed.). Reading Medieval Chinese Poetry: Text, Context, and Culture. Brill Publishing. p. 257. ISBN 9789004282063.
  26. ^ a b “Another Duke Coming”. The Waco Times-Herald. 30 August 1902. p. 1. Retrieved 29 November 2025.
  27. ^ “Yolande de La Rochefoucauld”. Wikidata. Retrieved 29 November 2025.
  28. ^ a b Chevalier, Florence (31 October 2013). ‘La mémoire de Chevreuse’ dénoue le secret de la tombe Belle Époque” [‘La mémoire de Chevreuse’ Unravels the Secret of the Belle Époque Tomb]. Actu.fr. Retrieved 26 November 2025.
  29. ^ Henri Cordier (1892). Necrologie: Le Marquis d’Hervey Saint Denys . T’oung Pao- International Journal of Chinese Studies. Vol. 3 No. 5, pag. 517-520. Publisher E.J. Brill/Leiden/The Netherlands.
  30. ^ Alexandre Bertrand (1892). Annonce du décès de M. le marquis Léon d’Hervey de Saint-Denys, membre de l’Académie.(Transl.: Announcement of the death of Marquis d’Hervey de Saint-Denys, member of the Academie). Comptes rendus des séances de l’Académie des Inscriptions et Belles-Lettres, Vol. 36, Issue 6, page 377.
  31. ^ Alexandre Bertrand (1892).Paroles prononcées par le Président de l’Académie à l’occasion de la mort de M. le marquis d’Hervey-Saint-Denys. Comptes rendus des séances de l’Académie des Inscriptions et Belles-Lettres, Vol. 36, Issue 6, pages 392-397.
  32. ^ Reinach, Joseph (1904). Histoire de l’Affaire Dreyfus, Volume 4 [History of the Dreyfus Affair, Volume 4] (in French). Eugène Fasquelle. p. 584.
  33. ^ “Jacques de Waru”. Olympedia. Retrieved 29 November 2025.
  34. ^ “ONIROLOGUES: Léon d’Hervey (de Saint-Denys)”. Oneiros. Retrieved 29 November 2025.
  35. ^ Explication Des Ouvrages De Peinture, Sculpture, Architecture, Gravure, Et Lithographie Des Artistes Vivants Exposés Au Palais Des Champs-Elysées le 12 Mai 1879 (PDF) (2nd ed.). Paris: Imprimerie Nationale. 1879. p. 88.
  36. ^ Catalogue Illustré du Salon. L. Baschet. 1880. p. 23.

Leave a Comment

Your email address will not be published. Required fields are marked *

Scroll to Top