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==Reception== |
==Reception== |
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{{Expand section|Please add critical reviews and/or approval ratings from [[Metacritic]] and [[Rotten Tomatoes]]|date=February 2024}} |
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On Rotten Tomatoes, the film holds an 83% critic score based on 12 reviews and a 90% audience score from fewer than 50 ratings.<ref>”Small Town Wisconsin”. Rotten Tomatoes. https://www.rottentomatoes.com/m/small_town_wisconsin</ref> Glenn Kenny of ”The New York Times” wrote that director Niels Mueller’s approach was “patient and sensitive,” praising the cast and noting that the film’s comedic elements “sometimes earn a chuckle.”<ref>”Small Town Wisconsin”. Rotten Tomatoes. https://www.rottentomatoes.com/m/small_town_wisconsin</ref> |
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== See also == |
== See also == |
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Latest revision as of 04:28, 12 December 2025
2020 American film
| Small Town Wisconsin | |
|---|---|
Film poster |
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| Directed by | Niels Mueller |
| Screenplay by | Jason Naczek |
| Produced by |
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| Starring | |
| Cinematography | Nathaniel Goodman |
| Edited by | Tracy Adams |
| Music by | Nicholas Jacobson-Larson |
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Production |
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| Distributed by | Quiver Distribution |
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Release dates |
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| Country | United States |
| Language | English |
Small Town Wisconsin is a 2020 American drama film written by Jason Naczek, directed by Niels Mueller and starring David Sullivan, Kristen Johnston and Bill Heck.[1] Alexander Payne and Jinhua Yang served as executive producers of the film.[2]
The film was released in theaters in the United States on June 10, 2022, by Quiver Distribution.[3]
After losing a custody battle, perpetual teenager Wayne Stobierski steals his son away for one last father-son weekend to the city of their dreams – Milwaukee, Wisconsin. What’s supposed to be a light-hearted adventure, transforms into a journey of profound redemption.
The film premiered at the Sarajevo Film Festival in August 2020.[4] The film was also shown at the Milwaukee Film Festival in October 2020.[5][6]
It was picked up for online distribution by Quiver
[7].
On Rotten Tomatoes, the film holds an 83% critic score based on 12 reviews and a 90% audience score from fewer than 50 ratings.[8] Glenn Kenny of The New York Times wrote that director Niels Mueller’s approach was “patient and sensitive,” praising the cast and noting that the film’s comedic elements “sometimes earn a chuckle.”[9]
