User:Alcaios/draft: Difference between revisions – Wikipedia

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=== Hallstatt culture ===

=== Hallstatt culture ===

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[[File:Kultwagen_Strettweg.jpg|thumb|The [[Strettweg Cult Wagon]], Austria, {{circa|600 BC}}]]

[[File:Kultwagen_Strettweg.jpg|thumb|The [[Strettweg Cult Wagon]], Austria, {{circa|600 BC}}]]

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Craft production was highly specialised, as shown by the range of iron tools used in woodworking and construction. Timber-frame houses are attested from the late Hallstatt period, though their largely perishable materials meant that settlements were often short-lived.{{sfn|Maier|2017|p=17}} Metalworking occupied a central place in the economy, with iron, bronze, and gold widely used for weapons, tools, agricultural implements, household utensils, and personal adornment.{{sfn|Maier|2017|p=18}}

Craft production was highly specialised, as shown by the range of iron tools used in woodworking and construction. Timber-frame houses are attested from the late Hallstatt period, though their largely perishable materials meant that settlements were often short-lived.{{sfn|Maier|2017|p=17}} Metalworking occupied a central place in the economy, with iron, bronze, and gold widely used for weapons, tools, agricultural implements, household utensils, and personal adornment.{{sfn|Maier|2017|p=18}}

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=== La Tène culture ===

=== La Tène culture ===

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During the 5th century BC, Central Europe underwent major social, economic, and religious transformations. Most late Hallstatt princely centres lost their importance during this period, and some were entirely abandoned.{{sfn|Maier|2017|pp=32–33}} At the same time, a new cultural and economic expansion emerged in regions previously peripheral to the early Celtic world, marking the beginning of the [[La Tène period]], the later phase of the pre-Roman Iron Age. The period takes its name from a site near Marin, at the northern end of Lake Neuchâtel in Switzerland.{{sfn|Maier|2017|p=35}}

During the 5th century BC, Central Europe underwent major social, economic, and religious transformations. Most late Hallstatt princely centres lost their importance during this period, and some were entirely abandoned.{{sfn|Maier|2017|pp=32–33}} At the same time, a new cultural and economic expansion emerged in regions previously peripheral to the early Celtic world, marking the beginning of the [[La Tène period]], the later phase of the pre-Roman Iron Age. The period takes its name from a site near Marin, at the northern end of Lake Neuchâtel in Switzerland.{{sfn|Maier|2017|p=35}}

Long-distance economic exchange patterns shifted. While contacts with the Greek colony of Massalia declined in relative importance, trade with the Etruscans of central and northern Italy intensified, as evidenced by the widespread import and local adaptation of Etruscan bronze vessels.{{sfn|Maier|2017|pp=37–38}}

Long-distance economic exchange patterns shifted. While contacts with the Greek colony of Massalia declined in relative importance, trade with the Etruscans of central and northern Italy intensified, as evidenced by the widespread import and local adaptation of Etruscan bronze vessels.{{sfn|Maier|2017|pp=37–38}}

âš«

[[La Tène art]] is characterised by the absence of monumental architecture and large-scale figurative works, in contrast to Mediterranean traditions. Instead, artistic expression focused on small-scale objects such as jewellery, weapons, and utensils, distinguished by technical refinement and elaborate ornamentation. Early La Tène art favoured fluid, curvilinear forms over the rigid geometric patterns of the Hallstatt period, incorporating plant motifs, animals, fantastical creatures, and human faces. These developments reflect influences from [[Etruscan art]] and, possibly, from [[Scythian]] cultures of the eastern steppes.{{sfn|Maier|2017|pp=36–37}}

[[La Tène art]] is characterised by the absence of monumental architecture and large-scale figurative works, in contrast to Mediterranean traditions. Instead, artistic expression focused on small-scale objects such as jewellery, weapons, and utensils, distinguished by technical refinement and elaborate ornamentation. Early La Tène art favoured fluid, curvilinear forms over the rigid geometric patterns of the Hallstatt period, incorporating plant motifs, animals, fantastical creatures, and human faces. These developments reflect influences from [[Etruscan art]] and, possibly, from [[Scythian]] cultures of the eastern steppes.{{sfn|Maier|2017|pp=36–37}}

Name

The ethnonym Galli (Gauls) is generally derived from a Celtic root *gal– meaning ‘power, ability’.[note 1] As argued by linguist Václav Blažek, Irish gall (‘foreigner’) and Welsh gâl (‘enemy, hostile’) may represent later reinterpretations of this ethnic name, introduced into the British Isles during the 1st millennium AD.

The ethnic names Galátai (Galatian) and Gallitae (a Celtic tribe), as well as the regional names Gallia (Gaul) and Galicia (Spain and Central Europe), are also related.

In Roman usage, Galli and Galatae were treated as a synonym of Celtae, and there is no indication in Roman sources that these names were understood as referring to distinct peoples. The Latin Galli appears to have originally emerged as a rendering of the Greek Galátai.

The Greek geographer Pausanias regarded Keltoí (Κελτοί) as an indigenous name, and Caesar likewise reports that the Gauls called themselves Celtae (Celts) in their own language. generalization of ethnic name from source of gauls

Origin and early history

Hallstatt culture

The Strettweg Cult Wagon, Austria, c. 600 BC

The earliest archaeological evidence associated with the Celts appears in the late phase of the West Hallstatt culture of Central Europe, which during the 6th and 5th centuries BC extended from southern France across Switzerland into south-western Germany. Late Hallstatt communities were predominantly agrarian and lived mainly in small, open villages located near rivers and cultivated land. Cattle were the most widespread domestic animal and central to agriculture and transport, while pigs were especially important inland; sheep were kept primarily for wool, and horses were used for riding and as pack animals.

Craft production was highly specialised, as shown by the range of iron tools used in woodworking and construction. Timber-frame houses are attested from the late Hallstatt period, though their largely perishable materials meant that settlements were often short-lived. Metalworking occupied a central place in the economy, with iron, bronze, and gold widely used for weapons, tools, agricultural implements, household utensils, and personal adornment.

A defining feature of the late Hallstatt period was the intensification of long-distance trade, particularly with Mediterranean societies. The Celts maintained active exchange with the Greek colony of Massalia, the Veneti of the northern Adriatic, and the Etruscans of Italy, importing luxury goods, raw materials such as coral, and wine, while participating in wider trade networks involving amber and salt.

The princely graves of the West Hallstatt culture suggest that the early Celts conceived the afterlife as a continuation of earthly life, in which elites retained their status after death. The sustained opulence of these burials implies a significant economic burden within a hierarchical society, which may have contributed to growing social tensions and to the major transformations observed roughly two centuries after the emergence of the princely centres.

La Tène culture

Agris Helmet, France, c. 350 BC

During the 5th century BC, Central Europe underwent major social, economic, and religious transformations. Most late Hallstatt princely centres lost their importance during this period, and some were entirely abandoned. At the same time, a new cultural and economic expansion emerged in regions previously peripheral to the early Celtic world, marking the beginning of the La Tène period, the later phase of the pre-Roman Iron Age. The period takes its name from a site near Marin, at the northern end of Lake Neuchâtel in Switzerland.

Long-distance economic exchange patterns shifted. While contacts with the Greek colony of Massalia declined in relative importance, trade with the Etruscans of central and northern Italy intensified, as evidenced by the widespread import and local adaptation of Etruscan bronze vessels.

La Tène art is characterised by the absence of monumental architecture and large-scale figurative works, in contrast to Mediterranean traditions. Instead, artistic expression focused on small-scale objects such as jewellery, weapons, and utensils, distinguished by technical refinement and elaborate ornamentation. Early La Tène art favoured fluid, curvilinear forms over the rigid geometric patterns of the Hallstatt period, incorporating plant motifs, animals, fantastical creatures, and human faces. These developments reflect influences from Etruscan art and, possibly, from Scythian cultures of the eastern steppes.

Celtic expansions

A combination of demographic pressure, internal unrest, and social tensions, together with the attraction of the material culture of southern regions, likely motivated the population movements that unsettled the ancient Mediterranean world during the 4th and 3rd centuries BC.

Celtic expansion in Europe and Anatolia:

  Core Hallstatt territory, 8th–6th century BC

  Maximal Celtic expansion by 275 BC

By the 3rd century BC at the latest, Greek perceptions of the Celts had undergone a fundamental shift from earlier, more neutral or positive views to predominantly negative ones. This change was driven in large part by the increasing frequency of Celtic raids in the Balkans and Greece, as well as by the prominent role of Celtic warriors as mercenaries in conflicts between Mediterranean powers. Already in the 5th and 4th centuries BC, Celtic groups had advanced into territories inhabited by the Veneti and Illyrians along the upper Adriatic and in the Balkans.

Celtic mercenaries were employed extensively by Mediterranean rulers. Dionysius I of Syracuse recruited Celtic forces during his campaigns against the wealthy trading cities of the northern Adriatic in 386 BC, and Celtic warriors were also present among the troops he sent to support Sparta against Thebes in 369 BC. In the following decades, Celtic mercenaries played a significant role in the wars between Syracuse and Carthage, and were later deployed by Agathocles of Syracuse during his invasion of North Africa in 310–307 BC.

After the death of Alexander the Great in 323 BC, Celtic attacks on the territories of his disintegrating empire became increasingly frequent. Having established themselves in Thrace, Macedonia, and Illyria by 280 BC, Celtic raiders advanced into Thessaly and Greece in the following year. Greek forces succeeded only with difficulty in preventing the sack of the sanctuary of Apollo at Delphi, and the campaign ended with the withdrawal of the invaders after heavy losses. The retreating groups ultimately settled in various regions of the northern Balkans.

References

Notes

  1. ^ cf. Old Breton gal (‘power, ability’), Irish gal (‘bravery, courage’). Evidence from Brittonic languages also points to the existence of an n-stem gal-n-, with the regular phonological development galn- > gall- : Middle Welsh gallu, Middle Breton gallout ‘to be able’, Cornish gallos ‘power’. The modern French gaillard (‘brave, vigorous, healthy’) stems from the Gallo-Latin noun *galia– or *gallia- (‘power, strength’).

Citations

Bibliography

Further reading

  • Audouze, Françoise; Büchsenschütz, Olivier (1992). Towns, Villages and Countryside of Celtic Europe. Batsford. ISBN 978-0-7134-6523-5.
  • Barlow, Jonathan (1998). Julius Caesar as Artful Reporter. Classical Press of Wales. ISBN 978-0-7156-2859-1.
  • Barruol, Guy (1969). Les Peuples préromains du Sud-Est de la Gaule. E. de Boccard. OCLC 3279201.
  • Brunaux, Jean-Louis (2000). Les religions gauloises: rituels celtiques de la Gaule indépendante (2nd ed.). Errance. ISBN 978-2-87772-128-8.
  • Brunaux, Jean-Louis (2005). Les Gaulois. Les Belles Lettres. ISBN 978-2-251-41028-9.
  • Delaplace, Christine; France, Jérôme (2025). Histoire des Gaules (6th ed.). Armand Colin. ISBN 978-2-200-64273-0.
  • Delamarre, Xavier (2003). Dictionnaire de la langue gauloise. Errance. ISBN 978-2-87772-369-5.
  • Derks, Ton (1998). Gods, Temples, and Ritual Practices: The Transformation of Religious Ideas and Values in Roman Gaul. Amsterdam University Press. ISBN 978-90-5356-254-3.
  • Duval, Paul-Marie (1976). Les dieux de la Gaule. Payot. ISBN 978-2-228-88621-5.
  • Duval, Paul Marie (1989). La Gaule pendant la paix romaine. Le Grand Livre du Mois.
  • Ebel, Charles (1976). Transalpine Gaul. Brill. ISBN 978-90-04-04384-8.
  • Evans, D. Ellis (1967). Gaulish Personal Names. Clarendon Press. OCLC 468437906.
  • Fichtl, Stephan (2004). Les peuples gaulois: IIIe-Ier siècles av. J.-C. Errance. ISBN 978-2-87772-290-2.
  • Green, Miranda (1995). The Celtic World. Routledge. ISBN 978-1-135-63243-4.
  • Hatt, Jean-Jacques (1970). Histoire de la Gaule romaine (120 avant J.-C.-451 aprés J.-C.), colonisation ou colonialisme?. Payot.
  • Koch, John T. (2012). The Celts: History, Life, and Culture. ABC-CLIO. ISBN 978-1-59884-964-6.
  • Mathisen, Ralph W. (1993). Roman Aristocrats in Barbarian Gaul. University of Texas Press. ISBN 978-0-292-75806-3.
  • Mullen, Alex (2013). Southern Gaul and the Mediterranean. Cambridge University Press. ISBN 978-1-107-34165-4.
  • Van Dam, Raymond (1992). Leadership and Community in Late Antique Gaul. University of California Press. ISBN 978-0-520-07895-6.

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