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==Career== |
==Career== |
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Baranowsky began exhibiting internationally in the mid-1990s, with early solo shows at the Frankfurter Kunstverein in 1997, at Galerie Barbara Weiss in [[Berlin]] in 1998 and 2000, and at Entwistle in [[London]] in 1999.<ref name=KWPress/><ref name=AdbkVita/> Her video works were shown at the P.S.1 Contemporary Art Center in [[New York City]] in 1997, and in 2001, the Kunst-Werke Institute for Contemporary Art in Berlin presented the first comprehensive survey of her work, bringing together pieces such as ”Radfahrer (Hase und Igel)” [”The Cyclist (Hare and Hedgehog)”] and ”Mondfahrt 2001” [”Moon Tour 2001”].<ref name=KWPress/> In 2001, her work also featured in the exhibition ”Art in Technological Times” at the [[San Francisco Museum of Modern Art]], which examined the impact of digital technologies on contemporary art.<ref name=CAC/><ref name=CoxEssay/> |
Baranowsky began exhibiting internationally in the mid-1990s, with early solo shows at the Frankfurter Kunstverein in 1997, at Galerie Barbara Weiss in [[Berlin]] in 1998 and 2000, and at Entwistle in [[London]] in 1999.<ref name=KWPress/><ref name=AdbkVita/> Her video works were shown at the P.S.1 Contemporary Art Center in [[New York City]] in 1997, and in 2001, the Kunst-Werke Institute for Contemporary Art in Berlin presented the first comprehensive survey of her work, bringing together pieces such as ”Radfahrer (Hase und Igel)” [”The Cyclist (Hare and Hedgehog)”] and ”Mondfahrt 2001” [”Moon Tour 2001”].<ref name=KWPress/> In 2001, her work also featured in the exhibition ”Art in Technological Times” at the [[San Francisco Museum of Modern Art]], which examined the impact of digital technologies on contemporary art.<ref name=CAC/><ref name=CoxEssay/> |
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Her work has been included in numerous group exhibitions, among them ”Limitless: Berlin in Moscow” at the Contemporary Art Center in Moscow (1996), ”Loop” at the Contemporary Arts Center, Cincinnati (2002), ”en route” at the [[Serpentine Galleries|Serpentine Gallery]] in London (2002) and exhibitions marking the reopening of the Museum of Modern Art in New York in 2004.<ref name=CAC/> |
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==References== |
==References== |
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Latest revision as of 01:48, 19 November 2025
German video and installation artist
Heike Baranowsky (born 1966) is a German artist and professor of fine arts whose installations in film, video, and photography explore relationships between time, space and perception.[1]
Working with static cameras, loops and restrained digital manipulation, she creates moving-image sequences sometimes described as “time-based photography”.[2]
Early life and education
[edit]
Baranowsky was born in 1966 in Augsburg, then West Germany.[3] From 1986 to 1995 she studied fine arts at the Academy of Fine Arts, Munich, the Hochschule für Bildende Künste in Hamburg and the Hochschule der Künste in Berlin.[1] At the Hochschule der Künste she was a master-class student of photographer Katharina Sieverding between 1993 and 1995, working within an environment that emphasised large-scale photographic and time-based works.[4][1]
She subsequently completed a Master of Fine Art at the Royal College of Art in London, graduating in 1999.[5][1] During this period she began to develop loop-based video and photographic sequences that combine still and moving images and which became central to her later practice.[2][6]
Baranowsky began exhibiting internationally in the mid-1990s, with early solo shows at the Frankfurter Kunstverein in 1997, at Galerie Barbara Weiss in Berlin in 1998 and 2000, and at Entwistle in London in 1999.[6][1] Her video works were shown at the P.S.1 Contemporary Art Center in New York City in 1997, and in 2001, the Kunst-Werke Institute for Contemporary Art in Berlin presented the first comprehensive survey of her work, bringing together pieces such as Radfahrer (Hase und Igel) [The Cyclist (Hare and Hedgehog)] and Mondfahrt 2001 [Moon Tour 2001].[6] In 2001, her work also featured in the exhibition Art in Technological Times at the San Francisco Museum of Modern Art, which examined the impact of digital technologies on contemporary art.[5][2]
Her work has been included in numerous group exhibitions, among them Limitless: Berlin in Moscow at the Contemporary Art Center in Moscow (1996), Loop at the Contemporary Arts Center, Cincinnati (2002), en route at the Serpentine Gallery in London (2002) and exhibitions marking the reopening of the Museum of Modern Art in New York in 2004.[5]
