Zolo (music genre): Difference between revisions

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== Characteristics ==

== Characteristics ==

Zolo is characterized by “hyper jerky rhythms and cacophonous/ harmonious bleeps and boings,”<ref name=”:1″ /> as well as by “boingy guitars, wobbly keyboards, polka dot percussions, hiccupping falsettos, jerky/staccoto beats, and lopsided rhythms.”<ref name=”:2″ />

Zolo is characterized by “hyper jerky rhythms and cacophonous/ harmonious bleeps and boings,”<ref name=”:1″ /> as well as by “boingy guitars, wobbly keyboards, polka dot percussions, hiccupping falsettos, jerky/staccoto beats, and lopsided rhythms.”<ref name=”:2″ />

== History ==

== History ==


Revision as of 12:31, 4 December 2025

Zolo is a music genre coined by radio DJ Terry Sharkie[1][2] around 1989[2] and popularized through his live radio show The Zany Zolo Musik Hour which premiered on June 25, 1995.[1]

The genre, as codified by Sharkie, encompasses obscure music from different time periods which nonetheless shares certain similarities.[1] Zolo is characterized by “hyper jerky rhythms and cacophonous/ harmonious bleeps and boings.”[1] Zolo artists played on The Zany Zolo Musik Hour included Perrey and Kingsley, Godley & Creme, the Residents, XTC, Pere Ubu, Gentle Giant, Fred Frith, and others.[1]

Characteristics

Zolo is characterized by “hyper jerky rhythms and cacophonous/ harmonious bleeps and boings,”[1] as well as by “boingy guitars, wobbly keyboards, polka dot percussions, hiccupping falsettos, jerky/staccoto beats, and lopsided rhythms.”[3] It is a “crystallization” of different styles from the twentieth century “theatrical/ art rock/ cabaret tradition.”[3]

History

A 1997 article by Terry Sharkie, called Zolo Synthesis: A Discography, outlines the ‘thematic history’ of Zolo.[3][4] Sharkie claims that Zolo music had existed in “scattered forms” for “many years” by the time of writing, but had not had a name.[3] The artists discussed in the article “present puzzle pieces in the formation of Zolo as a musical style.”[3]

References

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